By Antonym
Wed Dec 20, 2006 6:46 am
this is fun and very useful for making distinct simult layers for snares.
1 - record snare/load snare sample
2 - reverse the sample
3 - set the start point about a quarter of the way into the sample. leave the end point at the end of the sample
4 - reverse your selected sample.
this leaves the unselected silence in the beginning of the sample, offsetting the sample. in effect, it's like an audio version of shift timing. very cool, esp w/ the qlink start/end stuff we can do now.
good to do this with a snare sample w/ a sharp frequency. set it to a fairly low level, maybe pan it or tweak it w/ a saw up/down lfo if you want to get funky with it
and have it triggered via simult from your main snare. it's kind of a loose layer/echo/flam sickness that makes a drum machine more than just a break rearranger
fun sht
1 - record snare/load snare sample
2 - reverse the sample
3 - set the start point about a quarter of the way into the sample. leave the end point at the end of the sample
4 - reverse your selected sample.
this leaves the unselected silence in the beginning of the sample, offsetting the sample. in effect, it's like an audio version of shift timing. very cool, esp w/ the qlink start/end stuff we can do now.
good to do this with a snare sample w/ a sharp frequency. set it to a fairly low level, maybe pan it or tweak it w/ a saw up/down lfo if you want to get funky with it
and have it triggered via simult from your main snare. it's kind of a loose layer/echo/flam sickness that makes a drum machine more than just a break rearranger
fun sht
Wicked !!