By MPCWeapon1
Sun Nov 19, 2017 3:33 pm
Cockdiesel wrote:I don’t care if you like akai or not. Just how many posts are you going to make? As I stated before, there are few with the complaints you have. Perhaps akai support would be a better option. I’m not tying to be a d-head, I’m trying to help. If the timing was that off you would a lot more complaints, which I’m not seeing. I’ve been comparing the live to my 4000,and I feel they are similar in sound and feel. Someone may differ.
Wouldn’t it be easier to look at the other threads with the people with the same issue? Within those threads the solution was found by contacting akai support.
I feel you as the live it great but for only a grand it’s a great box. I might feel burned some by paying twice that for same thing in a differnt box.
What do you call someone posting the same stuff over and over again, and when thoughts differ from them you claim they have untrained ears, or whatever. All your threads you have say the same thing. Which is cool I guess, but it doesn’t appear to be getting you anywhere.....
I just think you got the wrong MPC for your workflow. If you have a lot of hardware sound modules and keyboards and you wanted the MPC to be the centerpiece of it all to sequence and have the ability to record their audio to the MPC’s audio tracks. The X would probably be perfect.
I think the MPC Live would have been perfect for you. I have the Touch and it’s a workflow machine. I can make beats on it all day, l Iove making beats on it. I don’t ask it to be the centerpiece of my studio though.I tried to have it sequence outboard gear but the MPC 2.0 software freezed up on me.