By egokilla
Tue Apr 15, 2003 6:18 pm
Anyone have any unique sampling techniques they wanna share?
Here are a few of my most used ways:
Sampling from DVD and Digital Satt.
When creating movie samples, I either record directly through SF/WaveLab
from DVD or Digital Satt/Cable. I attempted to record from VHS for awhile,
but the editing process of getting them clean(fuzz) seemed to take forever.
Now that I sample direct from DVD, the samples are much cleaner and easier
to work with.
Sampling from Midi
I love this method. Let's say you want to sample a hook from a Salt N Pepa
song, but the producers have layered it with vox one shots, or the drum
sounds are sick... Download the midi file- and work with that specific part-
The awesome thing about this, is that if your using software like Reason,
Cakewalk or Cubase- You can change the instrument sounds and give the hook
more of the proper vibe for your composition. I have taken some slow RnB
melodies, and used some slutty (distorted and loose) sounds as a replacement
and the result was a gothic/dub hook.
Sampling from Modules
This is my most used method at the moment, and a samplist secret.
I borrow modules from my friends, take them home- hook them up.
Start up Sound Forge or Wavelab and start recording ONE long track
going through the preset sounds. I will typically record until the track
gets over 200mb and then stop it. If I have more sounds to go- I record onto
one more long track.
If the module has programming options or FX, I will then re-record each
sounds with the variations in yet another long track. (At this point you
would have like 2 gigs in raw .wav)
Once completed- I will try to open the file in Recycle. (File size is
limited so further chopping may be needed)
Once the files is opened, I drag the slider to around 60-75, or until each
sound appears to be isolated, and then export to .akp so all the sounds are
chopped up. Then I will usually spend a day or two editing and eq these
samples until I am satisfied.
Inspiration for Samples
For along time I stopped listening to any other music. I didn't want my focus to become clouded by other artists, and thought that my exposure would reflect in my music. This was a mistake. Not only did I not stay informed with new music, but I found myself slipping deeper into my own vibe (Skinny Puppy meets Tricky meets The Doors) and struggled with jumping back into other projects without the outside influence.
Here are a few of my most used ways:
Sampling from DVD and Digital Satt.
When creating movie samples, I either record directly through SF/WaveLab
from DVD or Digital Satt/Cable. I attempted to record from VHS for awhile,
but the editing process of getting them clean(fuzz) seemed to take forever.
Now that I sample direct from DVD, the samples are much cleaner and easier
to work with.
Sampling from Midi
I love this method. Let's say you want to sample a hook from a Salt N Pepa
song, but the producers have layered it with vox one shots, or the drum
sounds are sick... Download the midi file- and work with that specific part-
The awesome thing about this, is that if your using software like Reason,
Cakewalk or Cubase- You can change the instrument sounds and give the hook
more of the proper vibe for your composition. I have taken some slow RnB
melodies, and used some slutty (distorted and loose) sounds as a replacement
and the result was a gothic/dub hook.
Sampling from Modules
This is my most used method at the moment, and a samplist secret.
I borrow modules from my friends, take them home- hook them up.
Start up Sound Forge or Wavelab and start recording ONE long track
going through the preset sounds. I will typically record until the track
gets over 200mb and then stop it. If I have more sounds to go- I record onto
one more long track.
If the module has programming options or FX, I will then re-record each
sounds with the variations in yet another long track. (At this point you
would have like 2 gigs in raw .wav)
Once completed- I will try to open the file in Recycle. (File size is
limited so further chopping may be needed)
Once the files is opened, I drag the slider to around 60-75, or until each
sound appears to be isolated, and then export to .akp so all the sounds are
chopped up. Then I will usually spend a day or two editing and eq these
samples until I am satisfied.
Inspiration for Samples
For along time I stopped listening to any other music. I didn't want my focus to become clouded by other artists, and thought that my exposure would reflect in my music. This was a mistake. Not only did I not stay informed with new music, but I found myself slipping deeper into my own vibe (Skinny Puppy meets Tricky meets The Doors) and struggled with jumping back into other projects without the outside influence.