Ruslanio wrote:dabmeister wrote:It's a mixer that makes monitoring possible. Right now I'm using my small mixer because of room space. But for large stuff, I go to an ole school behringer mx8000 (the one that started the mackie 24.8 controversy).
In addition to using the small mixer, I'll also make use of a 1/4" patch bay which works wonders when you have more connections than the mixer can handle.
I also use two of the same audio interfaces.
Ohh I see. Can you be a little more specific on how you hook stuff up. Also, for a short time, I had y-splitter cables plugged into my monitors, splitting the signal into the MPC and PC. The problem with that was the opposite, when I had both MP and PC on, they would fight for the signal, resulting in just trumbling sound.
All instruments in my config consume two "mic/line" channels on the mixer (for stereo connection). Monitors connect directly from the mixers' "monitor out L-R" outputs (the monitors are active/bi-amped).
External efx like the alesis Q2 and lexicon mpx-1 are routed through the auxes and a master compressor (dbx ddp) might get used on the mixers' master insert bus.
Tape in/outs on the mixer are routed to the in/outs of the two echo layla interfaces and a adat xt20 mdm.
I use galobs of cables...def hundreds of dollars spent during my tenture in this game so far.