For discussion about setting up your studio and advice on the gear and equipment within it.
By mister_sosa74 Sat Jan 10, 2009 3:24 pm
* 500 production ready Platinum beats and loops created by The Beat Kangz <---Ready Made beats WOW...LOL

* Sleek design and styling with customizable “Paintz” and “Grillz” <---"Paintz & Grillz" that Z at the the end makes it mad cheesy

* On Board FX including Reverb, Delay, Automated Filters and tons of Crazy "Freak FX" including "Chopped and Screwed"!!!! <---This gotta be a joke...LOL

* On Board "Mo Bang" Mastering with EQ and Limiting <---Mo Bang...LOL

* More top Secret Features and Surprises that we dont want our sleezy, thieving corporate competitors to know....but we'll tell ya soon! <--- T-Pain/Kanye Vocader feature probably... LOL
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By LvngDead Sat Jan 10, 2009 3:37 pm
-The platinum beats and loops will most likely be drums in wav format that you are supposed to chop.

-with or without the "z" in the end, no beat machine has any need for this shit.

-It ain't a joke, and let's hope the effects aren't either.

-"mo" is kinda sad. it's 2009, grown folks.

-Yeah I'm not expecting much from the top secret features. WHY THE HELL DOESN'T IT HAVE MORE HANDS ON CONTROL OF PARAMTERES? KNOBS AND SLIDERS, PEOPLE!!!

The only reason I got high hopes for this is because the streetboxx has some very very good sounds in it.
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By Coz Sat Jan 10, 2009 3:37 pm
silma wrote:one thing got my tears wet from laughing in the FX section they say it includes Screwed & Chopped :D hahaha will it make S&C version of the track lol


If the "Screwed & Chopped" effect is what I think it is then the MPC could benefit from one too. I love glitch and beat mangling plug-ins so if this is like that it could be useful.
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By m00k13 Sat Jan 10, 2009 5:10 pm
Coz wrote:
silma wrote:one thing got my tears wet from laughing in the FX section they say it includes Screwed & Chopped :D hahaha will it make S&C version of the track lol


If the "Screwed & Chopped" effect is what I think it is then the MPC could benefit from one too. I love glitch and beat mangling plug-ins so if this is like that it could be useful.


I'm thinking "Screwed & Chopped" will basically just be a pitch shifter or "turntable simulator" like on the Zoom Sampletrack.
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By LvngDead Sat Jan 10, 2009 5:57 pm
http://www.beatkangz.com/main/news

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Music Instrument Startup Assembles Powerful Team, Bridges Culture and Technology to Create the Next Big 'Thang'

Nashville, TN: As the music industry continues its rapid evolution, Middle Tennessee producers The Beat Kangz have conspired with Live Nation Recordings head Bob Ezrin and Nashville real estate magnate David Crabtree to establish an innovative music technology startup called Beat Kangz Electronics, LLC (BKE).

BKE heralds the next age in music creation with The Beat Thang Music Production System, scheduled for retail release in Spring 2009. The Beat Kangz integrate pre-loaded sounds, sampling, and on board waveform editing in the portable, stylish and customizable Beat Thang. Flexible, functional and user-friendly, the Beat Thang moves effortlessly from the studio to the stage to the streets with tons of features for recording, live performance and DJing.

Aja "A.J.A." Emmanuel, Luke "Boom Bap" Jackson, and Reavis "Rev" Mitchell have been banging beats and ripping stages individually as artists, producers and promoters on the flourishing Southern hip hop scene for over a decade. In 2004 they joined forces to become The Beat Kangz, and began collaborating on a series of forward thinking music production and sound design projects.

The new partnership bore its first major fruits with the development of the SB-246 Streetboxx, the world’s first dedicated hip hop drum machine, designed by The Beat Kangz for Japanese manufacturer Zoom. The Streetboxx became Zoom’s best selling rhythm machine, and The Beat Kangz moved on to form their own musical instrument manufacturing company.

One hallmark of the Beat Kangz is the seamless integration of culture into their products. This is most evident in the Streetboxx with the names of drum kits and sounds. With names like “Dirty South”, “West Coast”, and “Old School”, there is no mistake that hip hop was the inspiration for this product and not the other way around.

“Most companies just put out the technology and ignore the culture,” says BKE president Emmanuel. “We bring the culture first, and that defines how our technology is developed.”

The Beat Thang will take this approach to the next level by going beyond the naming of kits and sounds to the futuristic styling of the machine. No other beat machine offers users a choice of custom skinz and grillz allowing the customer to individualize their Beat Thang.

Innovative ideas like these have helped the Beat Kangz attract a diverse group of power players from three countries to develop the Beat Thang. Legendary producer and music exec Bob Ezrin, perhaps best known as producer of Pink Floyd’s masterpiece, The Wall, has most recently been revolutionizing the music business as the head of Live Nation Recordings. A series of high profile deals with Jay-Z, Madonna and U2 are poised to make concert promotion powerhouse Live Nation a major new player in the recorded music world. As a BKE Vice President, Ezrin will help remake the musical instrument business as well.

David Crabtree of Nashville's Brookside Properties brings the financial acumen as the company’s Chief Financial Officer. The Kangz have also assembled a crack team of developers to create The Beat Thang and direct their streetwise marketing campaign.

BKE Vice President Reavis Mitchell voices the group’s appreciation for the team they have developed. "It’s a massive blessing that the universe has bestowed upon us to have such a talented and powerful collective of like-minded individuals dedicating their energy to putting out the next big thang, which is The Beat Thang."
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By LvngDead Sat Jan 10, 2009 6:07 pm
"“Most companies just put out the technology and ignore the culture,” says BKE president Emmanuel. “We bring the culture first, and that defines how our technology is developed.”"

Ah crap.....this doesn't sound good.......

sp1200, asr 10, and mpcs were never ever made for "hip hop". I hope these cats realize that.
By Nojus Sat Jan 10, 2009 6:19 pm
LvngDead wrote:sp1200, asr 10, and mpcs were never ever made for "hip hop". I hope these cats realize that.


i thought u work for them untill this LOL

anyways this unit is wack. the only mpc killer is going to be linndrum II. only the god can kill his creature.
By Tohtruck Sat Jan 10, 2009 6:31 pm
I like that it is portable and can run off of a rechargable battery. It definitely makes it more appealing than something like a Roland SP-404 or the MPC 500.

I also like that it has waveform editing and FX.

But good lord that is a hideous looking thing.

And why do they have to give their features such stupid names and customizable "grillz" and $H!t is really unnecessary and a pointless idea (although I assume they are targetting young kids who are just getting into beatmaking as their intended market and not seasoned professionals and veterans).

It all just makes the machine seem very gimmicky and unprofessional. It makes it hard to take their product and their intentions seriously.

Also that YouTube commercial was terrible (just my opinion). It really made me not want to get the product for two reasons:

Out of spite

And because it makes the machine seem very toy-like and unprofessional.

But I really think they are trying to appeal to people as an entry-level sampler and to kids who don't know anything but want to get into beatmaking.

Also, their MPC killer marketing campaign seems a bit off. It doesn't exactly seem like it can compete with any of the MPC's (except maybe the 500 which is kind of a doody anyway). It seems a bit more realistic for them to compete in the small-phrase sampler market, like the Roland SP's.

Crickey, that thing is gross (I think it's mostly because of the knobs and the grill).
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By vinyl_junkie_1620 Sat Jan 10, 2009 6:52 pm
I think Akai should be loosing sleep that at any point Linn might/could/will release the Linndrum 2....."Only the god can kill his creature" damn I like that and it's true I think.

Imagine what the MPC-2000 would of been like if roger designed it and Akai wouldnt of dumped him, not that it's a bad machine but the real hard core Akai MPC products are still the 60/60II and 3000, personaly I also like the 2000XL but thats cos I own one lol
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By AWW_NAWW Sat Jan 10, 2009 7:00 pm
im pretty sure it will sell. It not ment for most of us here but more for the guy/gal who want to get their feet wet in this music production shit. I like that its portable but all those damn lights can go. To be honest though I wish somethin like this was out back when I was like 14 or 15 I would have bit hard at it.
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By AWW_NAWW Sat Jan 10, 2009 7:08 pm
vinyl_junkie_1620 wrote:Imagine what the MPC-2000 would of been like if roger designed it

I would not have been able to afford one brad new like I did
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By vinyl_junkie_1620 Sat Jan 10, 2009 7:13 pm
AWW_NAWW wrote:
vinyl_junkie_1620 wrote:Imagine what the MPC-2000 would of been like if roger designed it

I would not have been able to afford one brad new like I did


Yeah thats true and to be honest I think Akai did a good job designing the 2k while keeping true to the original ethos.
By j-no Sat Jan 10, 2009 7:45 pm
all this "thang" is missing some spinners on the side of the casing. it looks like a cross between a SP-606, with pads like the ASR-X, Korg ESX-1, a Decepticon(Transformers)Logo and a front grill of an Escalade. and the name, they could of been more conservative with the design but it's totally targeted for the up and coming younglings. the specs on paper don't look bad, the blue screen looks alright, but it would be interesting to see some cat make something dope out of it...there are catz on youtube who have expensive equipment with crap beats...
Last edited by j-no on Sat Jan 10, 2009 8:01 pm, edited 1 time in total.