By dutch
Tue Aug 30, 2005 6:30 pm
Does anyone know how big it is in comparison to the XL ,1000,4000?
pt3r wrote:
I know this was said b4 but I find this the illest looking 2kxl mod seen so far.
Kilowax wrote:He says:
the 2005 is a b***che that makes him have an erection, he can't wait to hit her in the a$$...
stupid as hell...
and i've tried to stay correct in the translation...

r.5 wrote:Yo! don't even try to play it this way wit meKilowax wrote:He says:
the 2005 is a b***che that makes him have an erection, he can't wait to hit her in the a$$...
stupid as hell...
and i've tried to stay correct in the translation...
You seem to have made a small translation error.
He said he was going to shove that 2500 in your a$s...


mpc4000xl wrote:mpc4000xl wrote:WITH GOOD REASON SCIENCE LIKE I ALWAYS BELIEVED.........4 the Most Part ...........The 2500 is REAL!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!![]()
what does the 2500 has that the 4000 doesn't have ? Don't Know BBOY but..........
Here IS The http://www.akai-pro.de/produkte/mpc2500 ... RANSLATION
Black Beauty
With the devices of the MPC series musicians and producers connect world-wide Sampling workstations with rockfirm timing, which are to be served simply and unbelievable function variety accommodate. The MPC2500 develops on these traditional virtues and introduces many new features. Effizienters Sampling stands with the 32-stimmigen MPC2500 in the foreground. Thus the Sampling procedure can be started directly over the main menue. The Chop Shop function makes a dividing of loops and the automatic assigning possible of the loop parts on the 16 notice-dynamic Pads. Two internal effect processors, which can be used at the same time, make a rich selection of studiotauglichen effects, like Reverb, bit Grunger, Chorus, Phaser, Flying pan, 4-Band EQ, Compressor and for phase possible a Shifter. An additional effect, which is assigned to the Main Outs, gives the final mixes the final touch. For real time price increase two note variation Fader and two q-left automatic controllers stand for order. These can be geroutet separately to different parameters, like level, pan, filter cut off and resonance, Tuning, LFO speed, effect parameters etc. for flexible real time price increase. Everyone q-left automatic controllers can produce MIDI CONTROLLER data, so that all automatic controller movements can be taken up in a Sequence and played during the rendition. The q-left Sequencer permits the extensive editing of the modulations. In the tradition of the desired MPC60 and MPC3000 workstations the MPC2500 possesses 2 MIDI of entrances and 4 MIDI of exits, so that heading for 64 external MIDI of channels is made possible. Additionally the MPC2500 can steer the integrated Sampler on up to 64 parts. Each TRACK can use einzelnens a Program and the use of program changes becomes redundant. The large LCD announcement focuses the view of the substantial Sequence data. For the comfortable treatment of Sequencen there is a matrix editor. MIDI data can be indicated graphically and edited the MPC2500 with 16MB inserted memory are delivered, which is expandable with the optional EXM128 board on up to 128 MT RAM. Besides the MPC2500 can be equipped with an internal 80GB non removable disk and one CD-rw drive assembly.
CHARACTERISTICS
Classical MPC Design: Pads, Sequencer and control surface with new functions
32-stimmiger Drum/Phrase Sampler with 16MB inserted memory. Expandable on up to 128MB RAM.
effect processors and a Main Out effect processor integrated 2
2 allocatable q-left Fader and automatic controllers for real time price increase
Optional CD Rome and hp drive assemblies
USB haven for computer binding – File transfer and Backup on the computer and import by wav files
Chop Shop –Loop Slicing into individual Samples with automatic PAD assignment
Patched cliche –Phrase Samples to each speed without pitch change adapt
SAM-polarize Recording in the MAIN PAGE – Easy Sampeln during the Sequencing
Continuous SAM-polarizes TRACKS – Admission of long audio TRACKS into a Sequence
Audio input Thru with q-left control for real time price increase
Grid Editing function for simple Drum TRACK Sequencing
4 q-left CONTROLLERS (2 Fader and 2 automatic controllers)
PAD SAM-polarizes Edit (pitch SHIFT and time Stretch)
Mixer automation
Professional on board sound
240 X 64 background-lit, tiltable LCD
10 inserted similarly exits plus stereo digitally I/O
New 4-Pole filter for all SAM-polarizes Voices
Technical data
Sampling: 44,1 kHz/16-bit
Memory: 16MB standard, expandable on 128MB
Preset sound memory: 5MB Flash
Polyphonie: 32 voices
Optional 2.5” Non removable disk and CD Rome drive assembly installable
2 MIDI of entrances and 4 MIDI of exits
Sequence capacity: 100.000 notes
Sequencer dissolution: 96 ppq
99 Sequences/64 TRACKS
64 MIDI of output channels (16 channels x of 4 output terminals)
Song mode: 20 Songs, 250 steps per Song
MIDI Clock Sync: Master/Slave
MEMORY Card Slot: Compact Flash (up to 2GB)
Provided accessories: 32MB Compact Flash Card
Mains cable
4POLE WHICH I DO BELIEVE FINALLY MEANS HI-PASS!!!!!!!!!!!!!!..
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TRUST THAT!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
mpc4000xl wrote:4POLE WHICH I DO BELIEVE FINALLY MEANS HI-PASS!!!!!!!!!!!!!!..
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lo-fi wrote:mpc4000xl wrote:4POLE WHICH I DO BELIEVE FINALLY MEANS HI-PASS!!!!!!!!!!!!!!..
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No, 4 pole means 24db/octave and can apply to lo-pass as well as hi-pass. But on GearFreaks it says:
• Filter type Low pass, Band pass, High pass
AND:
• Dynamic filtering 2 x 2-pole filter per voice
2 filters per voice is nice, and 'dynamic' should mean that the filter can be ajusted while the sample plays - either by an envelope, the LFO (!), or (hopefully) the Q-link controls.

