For discussion about setting up your studio and advice on the gear and equipment within it.
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By Menco Thu Apr 22, 2010 1:59 pm
Allright, this will not be a topic where u can just simply list ur gear. This will be more about how u use ur mpc, in combination with what, what ur favorite piece of gear or combo is. How u have things connected, signal flow and other tools that are significant for ur production style and sound.

There are a lot of question about what kind of specific vst or synth works best with the mpc, in what kind of way or for what people use it.
Also it might be intresting to read everybody's setup and tools to inspire each other to use their gear in a different way to create and develop new techniques and setup combinations. Or just to spark some ideas if u want to upgrade ur studio.

This is how have things setup and use it:

MPC:
MPC2500.With JJOS 3.09. If had some spare money I would buy a password, but for now I'm not really missing out however I would like to purchase it because I know JJOS1 or 2 allows me to work quicker and be more versatile. I use it as a sampler and sequencer.

Turntable to MPC
Through a vestax dj mixer-> 7band graphic equalizer-> mpc's rec inputs. I like to eq before I sample, placing samples roughly in the frequency range. Basslines are roughly drawn here before I feed them in one of my samplers.

Additional synths/samplers/vst's
I have the mpc midi'd up with a s950. I sample and chop with this sampler, and sequence it with the mpc. Just love the sound and the workflow. Really like the adsr, filter, and loop features.

Reason 4. As a soundmodlue midi'd up with the mpc. Sometimes I use it to make beats from scratch. A lot of time just to add some stuff. Problems with rewiring it and not liking the mpc/pc combo so a hardware soundmodule is on my wishlist.

Mixer,Speakers/monitors other outboard gear:
From my mpc's and s950's outs to phonic helixboard firewire 12, from there to a set of Edirol home studio monitors.

Post-production
I run everything through the helixboard 8 tracks simultaniously into Cubase LE. Have problems with rewiring reason with cubase (tryed any method I could find), so sometimes I do a mixdown on the mixingboard and record everything into a spare mpc.

Some things I record with EQ of the helixboard, but most FX are added in Cubase in the mixdown
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By poundaproblem Thu Apr 22, 2010 2:29 pm
I have a very straight forward setup at home.

MPC-1000
Heart of everything. Everything passes through it one way or another. Even composed beats, Ill sample them and sequence them in the 1k.

MMF Turntable
Connects to an MFC-42 then out into the 1k.

MFC-42
TT > in for sampling but its also running through a patchbay so I can run the Motif, Proteus, MPC or any other sound source through it. Makes some real interesting sounds with synths

Proteus 2000 W/expansion
Awesome little module Ive had for YEARS. Super clean (sometimes too clean) Usually I steal synths, bass and highs off of it

Motif ES6
Prior to the 1k this was the heart of everything. Amazing sound, hard hitting drums and great bass sounds. It runs through the patchbay so it can go to the API, or the MFC

Presonus Monitor station
Similar to the big knob, it eliminates the need for a mixer and allows me to monitor on various speakers and different sets of headphones without unplugging 50 different cables

API A2D
Dope pre amp. Digital out which runs directly into PT. This pre is the heart of my sound. Turn the gains up and it gets REAL. Keep them low and the audio is clean. But overall it has that API sound. I have the 1k wired directly to it.

Mbox 2
Simple to the point interface. Not a fan of the analog ins but the SPDIF out of the API to the Digital in on this interface works just fine without a hiccup. I like the fact that what I hear on my monitors is what is actually recording. Obviously Im running PT8 and reason on it. Reason is used just for samples.

Mac Mini
People would be surprised at how large of a project I can mix on this little comp. Between this and the mbox the footprint is TINY. It only has a gig of RAM which is low by todays standard but with a bulk of the work taking place on an external FW drive the machine works fast and without failure. When I'm mixing albums (for clients) I normally have tons of buses, plugins and edits taking place but it let me down yet.

JBL LSR-4326P
These monitors have been the best purchase ever. I have been buying gear since about 93-94. Ive had countless pairs of monitors and these have definitely been my favorite. Primarily because of the room correction feature. And they BUMP!!!

Patchbay
Dont know the brand but I know its a life saver. Just a simple passive patch bay takes all the guess work out and lets me switch ins and outs without having to stop the beat or put down the vaporizer hahaaha

Thats the basics of my setup. I have other pieces of gear and instruments and mic's but this setup is perfect for what I do.
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By fasttrackpimp Thu Apr 22, 2010 5:29 pm
Pretty simple setup for me.

MPC 1000
Main piece of gear.

Staton Turntable
For sampling. Connects to the sp-303 and then goes to my 1k.

Old DJ Mixer
TT > in > to the sp-303. Simple and to the point.

SP-303
Old DJ Mixer > in for sampling. Has alot of good fx and since my old dj mixer doesn't have eq, I just eq on the 303 before resampling into the 1k.

MBox 2
The interface for the entire setup. Doesn't sound so hot, but sounds good enough until I can upgrade. Running pt7 and reason. I just use reason as a sound module synced up to my mpc.

Imac
Works great still. Hasn't **** up on me yet.

KRK Rokit 5's (Gen 1)
Cheap as hell, sounds good and gets the job done. Can't complain.

Keystation 61
Hooked up to the mpc so I can play reason modules when it's syned up.

User avatar
By Jim Beats Thu Apr 22, 2010 6:46 pm
MPC60 is the brain in my studio, it is controlling my s5000 and every beat I make comes from this combo. Then I have a couple of effects hooked up to a patchbay so I can easily patch around. The effects are an Dynacord DRS78 which is great for reverbs and delays, Ibanez EU400 for when I want to dirty up my beats or need some phaser or flanger on something. Ibanez AD202 delay for that dubby feeling and then I have two compressors, DBX 166xl and a Drawner mx30 for whenever something needs some gating or compresion. I record everything two track to my trusty Tascam hdrecorder. (even though I could have 8 tracks going on)
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By vinyl_junkie_1620 Thu Apr 22, 2010 8:22 pm
I have been flip flopping between using DAW's, MPC's and DAW's+MPC's together..... I'm at a stage where I'm highly confused as to what I prefer and my heart wants and what is "technically" better or has more "potential"
At this stage I have pretty much settled like this....

MPC-2000XL > Main MIDI sequencer+Sampling Drum Machine..pretty much everything happens on this

Soundcraft SX mixer > Everything goes into this and of course out..aux sends go to Akai S-3200XL which is used as a FX processor but now all auxes go to a MOTU 828 for FX

Akai S-3200XL > My old main workhorse sampler and main multi-fx box...I prefer to sample on this when using samples, don't like using the MPC for sampling that much other than for drums, you can do so much more in the 3200xl. Now not used as much and no longer used as a FX box, it was only cos I couldn't afford better rack fx.

Fostex PM1 mk2's & B&W DM-602 S3 > Budget monitors...do the job

iMac G5 running Logic Pro 7.2 with a MOTU 828 mk1 > ONLY used for FX, each aux send goes into one of the 8in's on the 828...

Emagic AMT-8 MIDI Interface > NOT used at all any more

Waldorf+Roland analogue/digital hybrid synths > The bread&butter of any of my tunes

2 track Reel to Reel machine > My future purchase where everything from the Spirit mixer will be tracked on to

+ usual 2x techinics 1210mk2's, Urei 1620 mixer and a whole load of other studio ish
By séance Thu Apr 22, 2010 9:17 pm
MPC 1000, Sp404, Korg Kp3, Two Technics 1200mk2's, Numark DXM-pro mixer, Numark Ns7.

At the moment I don't have the ability to track my productions into software. I've been deliberating on hardware or software recording. I've never had good experiences with software but for production it seems best.
By Em.p.cee.j Fri Apr 23, 2010 4:38 am
MPC 2000 Classic:
Midi Controller (Though I have a MPK61 I still use the MP to control my sound modules), Sequencer, "Phrase" Sampler.

S1000hd
It has XLR inputs on the front so I use it to sample from a Groove Tubes GT55 mic. Then they go into the MPC.

S900
Drum Sampler... then those samples go into the MPC.

S3000xl
Instrument Sampler... Most often I just use the MP to trigger the samples but sometimes for convenience... those samples go into the MPC.

JV-1080
Most often for bass sounds

XV-5050
I use alot of strings, pianos, and electric pianos. I love this module for those sounds.

MS-2000B
I run samples through it and use it as an effects processor and midi controller... aside from the obvious.
tra
VS-880EX
I bought a Macbook, MPK61, and Ableton Intro... but I still run shit through my old 8 track. I haven't been able to successfully integrate software and hardware. I use Ableton to track shit out but thats pretty much because of the track count on the VS.
By namotu Fri Apr 23, 2010 9:13 pm
LvngDead wrote:Image


and when i want to track out, i switch to the inputs of the soundcard and the outputs of the mpc.

oooh yeah.


hahah this reminds me of jwhaatt07's set-up picture, right here...

viewtopic.php?f=11&t=16801&hilit=waste+of+money&start=3825

i appreciate the simplicity of a photoshop job, haha just made me laugh
By Marc The Drummer Fri Apr 23, 2010 9:59 pm
Ensoniq EPS Classic - My faviourite sampler. I've had an s950 and s01 but the eps is much better then both of them. I love his dirtyness :D

Apple Mac Mini - Last year i've worked on a PC with cakewalk sonar but the mac with Logic Studio is that what i've searched for.

Lexicon Omega - My brand new interface. Nothing special but it is ok
User avatar
By josephnicks Sat Apr 24, 2010 7:27 pm
Marc The Drummer wrote:Ensoniq EPS Classic - My faviourite sampler. I've had an s950 and s01 but the eps is much better then both of them. I love his dirtyness :D

Apple Mac Mini - Last year i've worked on a PC with cakewalk sonar but the mac with Logic Studio is that what i've searched for.

Lexicon Omega - My brand new interface. Nothing special but it is ok


former owner of the Lexicon Lambda. i regret ever buying that POS.. completely turned me off to lexicon, never again will i buy any product with Lexicon in the name..
User avatar
By vinyl_junkie_1620 Sat Apr 24, 2010 8:14 pm
josephnicks wrote:
Marc The Drummer wrote:Ensoniq EPS Classic - My faviourite sampler. I've had an s950 and s01 but the eps is much better then both of them. I love his dirtyness :D

Apple Mac Mini - Last year i've worked on a PC with cakewalk sonar but the mac with Logic Studio is that what i've searched for.

Lexicon Omega - My brand new interface. Nothing special but it is ok


former owner of the Lexicon Lambda. i regret ever buying that POS.. completely turned me off to lexicon, never again will i buy any product with Lexicon in the name..


Don't let that put you off, but that's what you get for buying a Harman product...they suck, they are one of the most harmful companies in the audio industry...Think of them as the Microsoft of the audio world.
Any way their old hardware was really good...I'm talking about their reverbs but also their new reverb plug-in's are very good but I would never buy any lexy hardware other than their reverbs.
That audio interface has LOTS of build quality issues and Haramn's support is piss poor

This is also funny

http://www.audioholics.com/reviews/tran ... -outside-1
By jpeg Sat Apr 24, 2010 10:08 pm
setups def influence so u gotta find equipment with the interface that allow u easy access to features u need
and that has an interface that grabs u.
like moka only was saying the mpc was not his thing he prefers keys and triton was the joint that got his creativity flowing.

like me when i had the korg esx that effected my style i ofeten used longer loops cos of the way the unit was
setup with only 2 groups of two pads that cut each other off, so it was less convenient to chop a sample into 10 parts.

at the mo using the mp i dont use alot of vst sound cos it a chore to integrate them sound with mp drums but when i get
maschine i'll go hard on vst' arrangements n shit.
By NAJROCK Sun Apr 25, 2010 2:18 am
mpc 60
mpc 1000
moc 2500
monome 256
akai mpd
akai apc
korg padkontrol and microkontrol
logic 9
ableton 8
max for live
mlr
protools 8 hd w/ waves mercury bundle
electibe esx
sp303
virus ti polar
moog voyager
ms 2000

softsynths

plogue chipsounds
albino
massive
predator
arturia cs 80v

rack
ua la2a compressor
apogee ensemble
2x oo2 rack
great river pres
a stereo compressor with sidechain input that mimics the ssl that im blanking on cause it was my roomates purchase... dope tho

adam a7's

4x tech 12s
3x pdx 2000's
3x rane ttm 56
2x serato


lots of other random shit...



breakdown... honestly.. i sit on the mpc sp 303 and electribe all day making complete beats with program changes and all that... ill usually do about 16 different 8 or 16 bar patterns... i do alot alot of resampling and effect automation on the electribe... i also end up doing tons of bass and synth things on there.. lots of resampling happening on the sp303... i have a vestax handytrax i sample from and i also use my turntable with a delay pedal and a loop pedal to "jam" on the samples live... i get lots of "unquantized" drum patterns by manually skratching drums with delay and so forth...

i try to stay on the cheapo beat machines as much as possible... it allows me to keep that organic gritty lowpassed whatever feel that kept my headphones on as a kid and turned music from a hobby into a lifestyle

im sure i do the same things as most... i definatly make it a point to make some sort of beat everyday... and dj and skratch for at least two hours usually its more like 8 or nine and i dont sleep for a couple days haha



that being said

when i get a new song im feeling is ready for "post" i track through the apogee into logic or ableton (mostly logic)

from there i get super fancy pant with all sorts of automated effect sends and returns... throw stuff into mlr and mess around with patterns on the monome

i pull all the midi basslines from either my mpc inst programs or whatever synth i was using and dump em in and layer the crap out of them with the moog and the virus and whatever else is sounding cool...

then... i stack all my basses up and start chopping away, finding new patterns and nuances by manually switching which bass is playing when... lots of manual glitch edits and craziness with sugar bytes effectrix and the like...


when i like i save and delete all the unnecessary files and pull all the faders down to zero and pre mix... when the mix is done i throw it to my roomate who rolls out the hd rig and goes to town with waves... its really amazing how our la2a software mimic is actually better sounding than the real thing...


anyways thats the studio setup...

live we run four turntables and two mpc's and two mpd's
we have stems of our tracks and sample chops drops extended breaks ect all in high quality wav ready to be tossed around on the decks... serato cue points are assigned to different chops in the beat and we rock it out

the mpc's have various chops, inst. programs whatever that are used to both create new songs out of old ones on the fly and flex some dualing mpc octave synth action...

many of my synthlines are assigned to cuepoints and i am able to skratch them creating new melodies live and chop them at the same time with the mpd...


we have a video going up soon


we make alot of different stuff in the lab... lots of chicago house and discohouse stuff... lots of downtempo... some singer songwriter indyish beats...

all with that hiphop sample chop throwback vibe

and of course... alot of beats... some straight off the 60... some future bass hiphop steeze that you probably want to be on drugs to listen to :mrgreen: lots of dilly flylo style smoked out beats...

beats beats beats...


work is play :D