homebrew ms20 programs

doesn't look like there will be man...excellently crafted lil programs, droogie.

check it out...www.excommence.com/pgms/

scroll to basses, you're in there now!!

Vintage gear is the truth

pretty sure they sound good plus thanks alot but put it on yousendit or something else i hate that active x control shit.......the cause of alot of viruses trogens Etc Etc............

japspecvr6 wrote:pretty sure they sound good plus thanks alot but put it on yousendit or something else i hate that active x control ****.......the cause of alot of viruses trogens Etc Etc............

i don't think i follow. i'm using firefox and i see no problems.

http://excommence.com/pgms/bass/

there you go, they're in there now

http://excommence.com/pgms/bass/

there you go, they're in there now

thank you.

These kits are ridiculous! Thank you.

research wrote:These kits are ridiculous! Thank you.

glad you like them. any suggestions or recommendations for sounds? any problems loading them? if not i think my cf reader might be a little fuct, it get's jammed on samples all the time. HDM on the way.

I've messed with those kits yesterday, they are really great.
Only suggestion - I don't have my mpc right now so I might lack precision- there's a kind of lfo like on one of em (think it's mutron) and all the samples are not recorded from the begining of the effect (I'm not sure if I'm clear).
Anyhow, those pgms are really great, and I was wondering how we should credit you for these (any pseudo, name, alias)?

KrisK-One wrote:I've messed with those kits yesterday, they are really great.
Only suggestion - I don't have my mpc right now so I might lack precision- there's a kind of lfo like on one of em (think it's mutron) and all the samples are not recorded from the begining of the effect (I'm not sure if I'm clear).
Anyhow, those pgms are really great, and I was wondering how we should credit you for these (any pseudo, name, alias)?

thanks for the suggestions, maybe next one will be a little more consistent. i was going for "your actually playing a ms20 through an mtron", as opposed to fine tweeking and making them sound 'perfect'. i feel that 'oddities' 'imperfections' are what make music great.

cheers

thanks for the suggestions, maybe next one will be a little more consistent. i was going for "your actually playing a ms20 through an mtron", as opposed to fine tweeking and making them sound 'perfect'. i feel that 'oddities' 'imperfections' are what make music great.

I fully agree.

research wrote:

thanks for the suggestions, maybe next one will be a little more consistent. i was going for "your actually playing a ms20 through an mtron", as opposed to fine tweeking and making them sound 'perfect'. i feel that 'oddities' 'imperfections' are what make music great.

I fully agree.

same here, what would be the purpose otherwise?
anyways, gotta give you a big up for these as well, you really care, and it shows... wish more people remember what the purpose of life is, like you do!
I actually love the ms20's basses, you cant get much grittier than THAT, and you've done an excellent job in preserving some of that magic.
And no matter what they say, and bein the "korg legacy" plugs the wonderful piece of soft they are (and my only chance of kinda owning an ms20), you can only get that much "mojo" from a software thing

peace man, youre a nice guy
keep up the good work for all us to pimp

brownbagit wrote:
thanks for the suggestions, maybe next one will be a little more consistent. i was going for "your actually playing a ms20 through an mtron", as opposed to fine tweeking and making them sound 'perfect'. i feel that 'oddities' 'imperfections' are what make music great.

cheers

Yes of course, in general I would agree, and those souds are great. But since you were askin for suggestions, I gave my opinion. Anyhow, my problem was that the attack may be messed up. And actually it ain't a problem, the great work you did is allright, but if someone needs a thick attack he needs to trim them sample a lil. Still it's alright. Plus imperfection lye in the sound...
However, who should we credit for them samples. I love them, I'm gonna use em a lot, and would like to give you credits.
Peace.

KrisK-One wrote:

brownbagit wrote:
thanks for the suggestions, maybe next one will be a little more consistent. i was going for "your actually playing a ms20 through an mtron", as opposed to fine tweeking and making them sound 'perfect'. i feel that 'oddities' 'imperfections' are what make music great.

cheers

Yes of course, in general I would agree, and those souds are great. But since you were askin for suggestions, I gave my opinion. Anyhow, my problem was that the attack may be messed up. And actually it ain't a problem, the great work you did is allright, but if someone needs a thick attack he needs to trim them sample a lil. Still it's alright. Plus imperfection lye in the sound...
However, who should we credit for them samples. I love them, I'm gonna use em a lot, and would like to give you credits.
Peace.

i guess you could credit me under the goldtoof moniker, i also do some mastering of tracks under that. http://goldtoof.blogspot.com/

peace