crossings wrote:i grew up listening to late 80's and early 90's hiphop as a young one... watching Rap City and Yo MTV Raps when i'd get home from school, so my true passion is for 90's hiphop... the golden age stuff... around '97 [once more music-making software started coming out for the PC] i started getting into that and was making drum n bass and other faster-paced electronic stuff by then [IDM i guess you could say] on a computer with strictly software... at some point i took a break from making tracks, but i eventually went back to my roots and once i actually had money to drop on gear i started buying hardware samplers & all that good stuff and got back into the classic hiphop sound... i now have about 5 samplers [including 3 different MPCs] and find myself using the mpc1000 the most for some reason... i do also have the 2000xl though, which is built better, but the JJOS for mpc1000 and mpc2500 is pretty unbeatable when it comes to operating systems for the MPCs... i love the art of sampling, digging for sounds off of records, chopping stuff up and turning it into something different than the original source [as do most people here]... i'm from that time when hip-hop was a bit of a mystery as far as how it was made... you had to EARN the knowledge and skills and put your time in if you wanted to make beats of your own... hence why i have such a low tolerance for dipsh!t kids that want instant gratification on some "how do i plug this in?" sh!t... hiphop doesn't come with tutorials as far as i'm concerned... equipment comes with a manual and that's all you get imo... this forum is cool for sharing knowledge, but you gotta figure the basics out on your own if you wanna get any kind of respect from me or most other ol school hiphop heads for that matter. that's where i'm coming from...
Actually, I got into the MPC around 2004. I was deployed to the middle east (just retired from th the military about a year ago). Getting back to point. One of my buddies (a DJ) bought a 2000. It was beat up, but sounded like magic. After playing with it for a couple of weeks, I order the 2000xl right away and have been hooked ever since.
We share a common ground as I too grew up on the 90s hip hop. Although, I must confess, I don't sample much. I use the Mpc as a sequencer mostly. I sample maybe about 30 percent of the time.
I attended Berklee College of Music (specializing in Pro Tools). I use to live right down the street from Digidesign in Daly City when I was stationed in San Francisco. I became friends with one of their engineers (never could get a discount though). Lol
I met Quincy Jones ( during Berklee time) and I will NEVER be the same. The man is AMAZING! As a result, I love arrangements, especially orchestral. I really dig vocal chants and cellos. If you ever hear any of my music, that would be very apparent from the first note. Lol
Studio:
2000xl
Triton extreme
Fantom xr
MoPhatt module
Roland XP-30
OLD Korg X3 ( my first synth)
Korg mini
Voice prism plus
Tc hardware effects unit
2 aural exciters, with big bottom
line 6 guitar modeling unit
Line 6 bass modeling unit
Tascam cd rewritable/recordable rack mount
MOTU 828mkll
Digi 002
Echo Layla
Fender strat Eric Clapton anniversary addition guitar
Fender precision bass
Monitors:
Mackie 824s
Event 20/20
Alesis(I forget the model)
Several mixers that I no longer use and various mics. Other misc equipment.
Software: Pro Tools, Sonar, Reaper, Waves Gold Bundle effects plug in, Reason, sample tank, ect. Too lazy to list all. Lol
Also, lots of apps on iPad. I have become very engulfed with the iPad for producing, lately.
I hope you will forgive any typos as I am typing on an iPad. My MacBook pro and Mac pro are in the service center getting upgrades.
Man I love this stuff called music. It's a gift to us from above in my opinion.





