Exchange tips and tricks for the Akai MPC4000
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By Askia Shaheed Mon Dec 29, 2008 4:09 pm
AWW_NAWW wrote:
AWW_NAWW wrote:
Askia Shaheed wrote:It's just my opinion..but you will never see a sampler, drum machines, or keyboard workstation with more than 10 analog outputs. It is not necessary today.

What makes it not necessary?

I'll repeat


Its just my opinion. There hasn't been an Akai sampler with that many outputs in almost a decade. There is no current sampler or workstation that has the number of outputs you ask for. I think I will leave it to the experts to give you all the reasons why these companies stopped producing products with all those outputs. If that is what you want in a new product...good luck. I hope you get that type of MPC.
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By Blue Haze Mon Dec 29, 2008 5:02 pm
Askia Shaheed wrote:You are incorrect. You haven't taught me anything. When I ask you questions, it is simply to get you to respond in detail for you to understand what you are talking about as well as to inform others. You didn't know much about keygroups until I pressed you on the issue.

Also, I didn't say I have an S3000 sampler. What I said was that I loaded an S series format CD Rom into my keymap sampler. To answer your question directly, I believe I am helping the forum whether you can see this or not. It really isn't about me. I am an MPC dude and will always be. I am for the advancement of MPCs...even the 4K or a future 4K type of product. If you put the sort of effort you have been putting into these keygroup sampler threads...into positive feedback to Akai about what you want in an MPC, then perhaps you will have your dream machine. If you can't believe anything I have ever written here....at least believe me when I say that Akai is listening to forum feedback. That is why I got you worked up into talking about these things. This is not about me..this is about MPCs.

So thanks for your great input and support in these forums. I have no animosity towards you. But the beat battle challenge has been made and still stands...put I won't press you on that matter.


http://www.myspace.com/sirjahrome
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By AWW_NAWW Mon Dec 29, 2008 5:36 pm
Askia Shaheed wrote:Its just my opinion. There hasn't been an Akai sampler with that many outputs in almost a decade. There is no current sampler or workstation that has the number of outputs you ask for. I think I will leave it to the experts to give you all the reasons why these companies stopped producing products with all those outputs. If that is what you want in a new product...good luck. I hope you get that type of MPC.


I know its your opinion Im just wondering what lead you to it and why you feel its not necessary.
I know it would sell just look and see if you can find an S6000 on ebay
I'll wait......
:|
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By Askia Shaheed Tue Dec 30, 2008 2:24 am
AWW_NAWW wrote:
Askia Shaheed wrote:Its just my opinion. There hasn't been an Akai sampler with that many outputs in almost a decade. There is no current sampler or workstation that has the number of outputs you ask for. I think I will leave it to the experts to give you all the reasons why these companies stopped producing products with all those outputs. If that is what you want in a new product...good luck. I hope you get that type of MPC.


I know its your opinion Im just wondering what lead you to it and why you feel its not necessary.
I know it would sell just look and see if you can find an S6000 on ebay
I'll wait......
:|

AWW_NAWW wrote:
Askia Shaheed wrote:Its just my opinion. There hasn't been an Akai sampler with that many outputs in almost a decade. There is no current sampler or workstation that has the number of outputs you ask for. I think I will leave it to the experts to give you all the reasons why these companies stopped producing products with all those outputs. If that is what you want in a new product...good luck. I hope you get that type of MPC.


I know its your opinion Im just wondering what lead you to it and why you feel its not necessary.
I know it would sell just look and see if you can find an S6000 on ebay
I'll wait......
:|


Hardware samplers are no longer made. Its been almost a decade since we've seen Akai drop a sampler with the 16 plus outputs. Emu use to but they no longer make hardware samplers. Roland is no longer making the MV8-OP1 output, leaving the MV-8800 with only two outputs. The MPC 2500 and 5000 are the only current samplers in the world with 10 analog outputs. 16 outputs are not like bell bottoms and Chuck Taylors...they will probably not make a come back. (my opinion of course) :D .

Maybe I didn't answer you question directly...but then you should ask yourself..why should companies release a sampler with 16 outputs that nobody wants?
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By AWW_NAWW Tue Dec 30, 2008 5:53 am
Askia Shaheed wrote:
AWW_NAWW wrote:
Askia Shaheed wrote:Its just my opinion. There hasn't been an Akai sampler with that many outputs in almost a decade. There is no current sampler or workstation that has the number of outputs you ask for. I think I will leave it to the experts to give you all the reasons why these companies stopped producing products with all those outputs. If that is what you want in a new product...good luck. I hope you get that type of MPC.


I know its your opinion Im just wondering what lead you to it and why you feel its not necessary.
I know it would sell just look and see if you can find an S6000 on ebay
I'll wait......
:|


Hardware samplers are no longer made. Its been almost a decade since we've seen Akai drop a sampler with the 16 plus outputs. Emu use to but they no longer make hardware samplers. Roland is no longer making the MV8-OP1 output, leaving the MV-8800 with only two outputs. The MPC 2500 and 5000 are the only current samplers in the world with 10 analog outputs. 16 outputs are not like bell bottoms and Chuck Taylors...they will probably not make a come back. (my opinion of course) :D .

Maybe I didn't answer you question directly...but then you should ask yourself..why should companies release a sampler with 16 outputs that nobody wants?

AHH, see there lies the confusion... see you are the only person thata I have ever heard say they would not want this and for the life of me I cant figure out why partly because you wont or cant tell me.
If im correct you have a yamaha O2R mixer right? How can you not see the benefit this would have in you setup be it analog or ADAT ???
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By Askia Shaheed Tue Dec 30, 2008 7:22 am
What more can I say? I am the wrong person you need to convince. Do you believe after a decade of not making products with 16 analog outs that they would do it today? The last Akai product that had that many outputs (I could be wrong but I think it may be the only one) was the S6000. And that sampler cost more than an MPC. I am not saying that it is the reason why it costs so much, but quality DA converters are not cheap.

My 02Rs are now in storage. They take up too much room. I am building a rack of AD converters. I will only use control surfaces because I only plan to mix in the box.
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By AWW_NAWW Tue Dec 30, 2008 3:31 pm
Askia Shaheed wrote:What more can I say? I am the wrong person you need to convince. Do you believe after a decade of not making products with 16 analog outs that they would do it today? The last Akai product that had that many outputs (I could be wrong but I think it may be the only one) was the S6000. And that sampler cost more than an MPC. I am not saying that it is the reason why it costs so much, but quality DA converters are not cheap.

My 02Rs are now in storage. They take up too much room. I am building a rack of AD converters. I will only use control surfaces because I only plan to mix in the box.


but quality DA converters are not cheap.


well with that logic how can akai afford to sell the 2.5k and the 5k (3.5k) stock with 10 outs for basicaly what a stock 4k or s6 was going for years ago?
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By Askia Shaheed Tue Dec 30, 2008 4:08 pm
AWW_NAWW wrote:
Askia Shaheed wrote:What more can I say? I am the wrong person you need to convince. Do you believe after a decade of not making products with 16 analog outs that they would do it today? The last Akai product that had that many outputs (I could be wrong but I think it may be the only one) was the S6000. And that sampler cost more than an MPC. I am not saying that it is the reason why it costs so much, but quality DA converters are not cheap.

My 02Rs are now in storage. They take up too much room. I am building a rack of AD converters. I will only use control surfaces because I only plan to mix in the box.


but quality DA converters are not cheap.


well with that logic how can akai afford to sell the 2.5k and the 5k (3.5k) stock with 10 outs for basicaly what a stock 4k or s6 was going for years ago?


You can question my logic...but then you will have to question your own. You want a sampler that has 16 analog outputs from a company that doesn't make samplers (outside of MPCs) and only had one product (I believe) in 30 years that had 16 outputs...but it sounds like you are keeping hope alive...so I am down with your coalition.
User avatar
By AWW_NAWW Tue Dec 30, 2008 5:21 pm
Askia Shaheed wrote:
AWW_NAWW wrote:
Askia Shaheed wrote:What more can I say? I am the wrong person you need to convince. Do you believe after a decade of not making products with 16 analog outs that they would do it today? The last Akai product that had that many outputs (I could be wrong but I think it may be the only one) was the S6000. And that sampler cost more than an MPC. I am not saying that it is the reason why it costs so much, but quality DA converters are not cheap.

My 02Rs are now in storage. They take up too much room. I am building a rack of AD converters. I will only use control surfaces because I only plan to mix in the box.


but quality DA converters are not cheap.


well with that logic how can akai afford to sell the 2.5k and the 5k (3.5k) stock with 10 outs for basicaly what a stock 4k or s6 was going for years ago?


You can question my logic...but then you will have to question your own. You want a sampler that has 16 analog outputs from a company that doesn't make samplers (outside of MPCs) and only had one product (I believe) in 30 years that had 16 outputs...but it sounds like you are keeping hope alive...so I am down with your coalition.


Im just lookin for answers and cant seem to find any
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By McSmooth Wed Dec 31, 2008 7:07 am
I tried to do quoting, but this thread is too all over the place. Here are some points that go equally all over the place:


ALL other MPCs can do multisample programs to a degree, they just require a lot more work and are not as capable/flexible as a full sampler. If you have a library with simply one sample for every note and no parameters, it will actually take the same time to set up in both a keygroup and drum program (keep in mind the 64 pad limit) and they should sound the same.

If you have a library with missing samples in-between, you can also emulate a keygroup by manually setting and pitching the samples in between. With MPCs that allow multiple samples (and levels) per-pad, you could even emulate a crossfade. Should also be able to get it to sound about the same, but will take 10 times longer to create it.

People have been doing this since the beginning, many learned on the 2k when Tutor started this site. The XL was the first MPC to allow multiple programs to play at the same time which made multisample programs useful. Before that, you would have to jam your drum sounds into the same program or record separately.

What can't be done with other MPCs? Depends on which you have, but some things you may be missing are; layering/switching more than 4 sounds, layering and crossfading at both the zone and keygroup/keyspan level, layering programs on top of each other, pitch bend, portamento, aftertouch, and many other modulations.

So, it CAN be done on others, you just have to be willing to put in extra time and know the limitations. Make the most of what you've got!
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By McSmooth Wed Dec 31, 2008 7:16 am
There are no more straight hardware samplers, as stated earlier, software killed them years ago. The only thing keeping MPCs and other groove based machines alive is that there will always be a need for dedicated drum machines and phrase samplers. Unfortunately, most people do not want complexity when it comes to a machine with a tiny screen they got just to record drum patterns or play loops.

The 4k really was one-of-a-kind by having a full featured sampler, but lost its appeal just like the hardware samplers did before it. It is of course speculation as to the real reason it faded, but I would say that the company switches did not help and I believe the average user had trouble grasping it. Taking existing S/Z samplers' keygroup programs and multis and meshing with an MPC and it's drum programs required changing how things work and added another level of complexity.

I don't see any reason why the 5k couldn't add some 4k-like features such as keygroup programs. What might be holding them back is the actual user desire and doing it in a less confusing way. They can't just copy the code over from the 4k, because those MPCs are structured completely different. Once you throw the multi concept and program differences from the S/Z samplers in there, it would screw up the way the machine works and piss all of the owners off.

They could instead add a new, simpler type of multi and some internal routing options to simulate most of the features. The 5k already has a modular approach with MIDI, audio tracks, drum programs, and synth. This was taken directly from the MV, which took the idea from software programs. This is a good approach since adding new features should not interfere with existing ones, just like a new rack that is added to Reason. Who knows if they will ever bother. There is a lot of complaining about lacking 4k features, but we know most people that own them would never end up using them just like on the 4k.

As for the 16 outs issue, I don't see it being that important anymore. You can track out something really complex with 8 outs and a few passes. Once things start getting complex, you will often run into other limitations first like RAM, polyphony and FX routing. At that point you are better off with multiple units if you NEED to have them all at the same time. For that reason you used to see people with racks full of Akai S samplers when they were well over 2 grand each. 2 Gs today will get you a rack full of S5/6000 or Zs :D
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By McSmooth Wed Dec 31, 2008 8:14 am
In this day and age, it is common to expect everything in a product... whether they will ever use the features or not (like people driving SUVs and Jeeps that never take them off road). 5k owners want all the 4k features implemented to shut up the 4k owners saying it is missing key features, even though I would bet most of them wouldn't make much use of them (or they wouldn't have moved on in the first place). 4k owners hate on the 5k because they rely on features that don't exist on the 5k and feel the new "flagship" does not earn the title of "flagship". Keep in mind that there are probably only about 100 of those 4k people left in the world that know what they are talking about though! :lol:

Askia brought up an interesting note about a multi sample kit he bought that ended up sounding the same on both machines. As I pointed out above, a very simple sample kit like this can be done with almost any modern sampler. Back when the Akai S1000 format came out, this was much more revolutionary since memory was just starting to be large enough to even hold multisamples. You still find many classic and well used S1000 and S3000 libraries out there, many pretty basic as far as programming goes.

By the time the S5/6000 series was released, ROMplers were already stealing away a lot of the market with bigger and higher quality ROM chips. If you just wanted to play back samples of instruments, it makes sense to instantly have access to a huge library of sounds with no load times. Sure the S6000 was a beast of its time, but the amount of libraries developed for it pale in comparison to the older format and few really made use of its unique features. There must be some, but I honestly do not know of a single commercial Z/mpc4k specific library out there.

So the importance of the 4k's sampler clearly is only appreciated by a select few doing their own programming and/or wanting an Akai rack sampler packed into the same box. I think it would be safe to say that the majority of people that use some form of sampler never use it to sample libraries/kits themselves, only load existing ones and use it like a ROMpler (just like presets on a synth). If that is true and there are no libraries to show any advantage to the features, it is no surprise that the features did not carry on.
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By McSmooth Wed Dec 31, 2008 8:20 am
Today, you can buy multisamples from mpc-samples here that are compatible with every MPC. I'm not sure if any other MPCs can load S1/3000 libs though. Even the MV can do this, a lot of people would be happy if the 5k could simply load these into drum programs. Instead you would need to do a conversion to get them transferred over. Similarly, since the 4k/Z doesn't have custom libraries, you would need to look to other formats and do a conversion to take advantage of its features. There are some amazing libraries out there designed for soft-samplers that are quite deep and complex. With a good format conversion, we can actually make use of these kits.

I would bet the average power 4k user (making use of multi-samples) has a handful of modeling synths MIDId up and ready to go. On the other hand I see the average hip-hop MPC user going to sound modules for the bulk of their sounds outside the box. There are of course exceptions to this, but have noted it for quite some time. It really takes a synthesist to want to take samplers to that extra level. On that note, I've found that many of the sampler's crazy abilities and modulations are shown off when using/making synthetic sounds. With accurate acoustic samples, you want to keep the sound as natural as possible, but with synths all the extra control and modulation are wanted. I'd love to produce some bomb synth kits for the Z/4k, but I doubt you could sell more than 10 units today and make it worth the effort, haha.


Sorry, went all over there... had some notes building up to get rid of.
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By Blue Haze Wed Dec 31, 2008 9:17 am
Great post Mcsmooth especially this quote: People have been doing this since the beginning, many learned on the 2k when Tutor started this site. The XL was the first MPC to allow multiple programs to play at the same time which made multisample programs useful. Before that, you would have to jam your drum sounds into the same program or record separately.

What can't be done with other MPCs? Depends on which you have, but some things you may be missing are; layering/switching more than 4 sounds, layering and crossfading at both the zone and keygroup/keyspan level, layering programs on top of each other, pitch bend, portamento, aftertouch, and many other modulations.

So, it CAN be done on others, you just have to be willing to put in extra time and know the limitations. Make the most of what you've got! (qoute McSmooth)



Main reason I for one love keygroup samplers not just for multsampling like I and you said can be done on any mpc with work, but the fact of MULTi- Combinations of Programs on one Midi channel and the program matrix assignment to control them.

Virtual rack samplers. And sound designing comes into play concerning any dance music if you customize your own sounds that no other sound modules or workstation has.

http://mpc-forums.com/viewtopic.php?f=2 ... lit=+Racks



Check out this how a piece of Timbo setup was sound designed with a keyboard sampler and resampled for custom designs.

http://jp.youtube.com/watch?v=owcsYJpm_JM




At one part he made up a found sound with a cup and a pencil spoken not shown. Watching Busta on the keys the sounds are made up using keygroups layered over each other with different filters and envs like cut the att on sound 1 to blend in with sound 2 with its decay cut. The plus is that spreading the hits over several keys he can choose the sounds at different pitches like that stock snares and 808 busta is asking about. Just a tip of the iceberg on using a keygroup sampler.

Of course this with some effort can be done on other mpcs just easier and readily on a 4k, ASR-10, Kontakt or any other full sampler off the bat.
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By Askia Shaheed Wed Dec 31, 2008 1:06 pm
McSmooth, great posts! :shock:

Man..you hit on so many valid points I am speechless (for once). I think people need to really pay attention to what you just wrote.

5k owners want all the 4k features implemented to shut up the 4k owners saying it is missing key features, even though I would bet most of them wouldn't make much use of them (or they wouldn't have moved on in the first place). 4k owners hate on the 5k because they rely on features that don't exist on the 5k and feel the new "flagship" does not earn the title of "flagship". Keep in mind that there are probably only about 100 of those 4k people left in the world that know what they are talking about though!

100% accurate. For the most part, I am satisfied with my MPC 5000. I mainly want just some global editing parameters, enhancements to chop shop, and anything that would enhanced the way external modules work alongside the MPC (like import patch scripts). Everything else is a bonus. While the 4K users (and cats that don't use either MPC) have been hating on the 5K as well as insulting its users...I/We have been working overtime creating thread after thread..post after post..so Akai/Numark/Alesis (and even Jesus) would be aware of what these dudes want in an MPC. If they really wanted an MPC 4000 type flag-ship (remember that thread), they would have invested time giving positive feedback instead of all this negative BS and doing everything to try to discredit other forum members and Akai. You guys missed a great opportunity....some of you dummies ran off the beta testers and the moderators didn't do anything. In spite of this, an OS update with bug fixes is coming. When Akai decides to add some of these user requested features, I bet catz will still say "it should have shipped this way to begin with" or "Its great it has this feature now, but it doesn't do this." In the words of Sho Nuff and XXL Magazine "Negro please."

I don't see any reason why the 5k couldn't add some 4k-like features such as keygroup programs. What might be holding them back is the actual user desire and doing it in a less confusing way. They can't just copy the code over from the 4k, because those MPCs are structured completely different. Once you throw the multi concept and program differences from the S/Z samplers in there, it would screw up the way the machine works and piss all of the owners off.

This is the bottom line....to implement new features without messing up the work flow. For example...similar machines assigns a program to a part, and then assign a part to a sequencer track for recording. Maybe there is a good reason for this. But why not just assign the program straight to the sequencer track? Cut out the darn middle man. The 5K and future highend MPCs must retain the same MPC workflow.

Sure the S6000 was a beast of its time, but the amount of libraries developed for it pale in comparison to the older format and few really made use of its unique features. There must be some, but I honestly do not know of a single commercial Z/mpc4k specific library out there.


If you find a commercial library that supports the unique features of the S6000, please let me know. The MPC Z series/4K samplers still pretty much use this format. I have found numerous S1000/3000 libraries. These are not that impressive and I can create programs in any of these latest MPCs and make it sound exactly like an MPC 4000 or any other keymap sampler.

So the importance of the 4k's sampler clearly is only appreciated by a select few doing their own programming and/or wanting an Akai rack sampler packed into the same box. I think it would be safe to say that the majority of people that use some form of sampler never use it to sample libraries/kits themselves, only load existing ones and use it like a ROMpler (just like presets on a synth). If that is true and there are no libraries to show any advantage to the features, it is no surprise that the features did not carry on.

Well said indeed. I would like to add...the importance of the 4k's sampler clearly is only appreciated by a select few claiming they do their own programming. I have been hearing so much about Muliti's. These hardware keymap samplers only have 512 MB of memory. Some of the decent commerical keymap programs I found are 128 MB in size. That only gives you 4 programs in your multi and maxing out the memory in an MPC is never a good thing. This is one of the reason why people have a rack full of samplers or now using software samplers/instruments. If you are just going to load and play, use a Rompler that samples or software. At least with the Rompler, you get more synth type parameters than any MPC has to offer. A highend MPC should still focus on what made the MPC a legend. Its straight forward sampling and MIDI sequencing. MPC 5K should focus more on using the Q-links to modulate internal sample/synth programs was well as external sound modules. A modulation matrix (if we really need such a thing) should be built into the Q-links.

The MPC 5000 has been in development for a few years I suspect so its core features will probably not change drastically. But the next MPC should have something like a Fusion type OS and even have a Rompler on-board. I have a feeling Roland might beat Akai to the punch on this one. If Roland puts a Fantom inside the MV (Rompler not just samples stored in RAM)..even I will be speechless.