
By binger0
Mon Jan 17, 2005 12:20 am
layer it then add some filters and mess with the attack and decay.
By fasterbeats
Mon Jan 17, 2005 1:43 am
press, program, f2, hit the pad you have your kick assigned to then hit f6(zone) down the bottom you'll see four slots in which you can put more samples 

By cyrus
Mon Jan 17, 2005 2:23 am
most my samples are good
but i always need eq just about no matter what. Try layering it with the bassline. Like dont do your kicks until after you lay down your bass (or rework the kicks once youve put it down)
then make sure the kicks just hit the same time as the bass.
instead of doing your drums first....just lay down a klick track....snare and hihat.
but i always need eq just about no matter what. Try layering it with the bassline. Like dont do your kicks until after you lay down your bass (or rework the kicks once youve put it down)
then make sure the kicks just hit the same time as the bass.
instead of doing your drums first....just lay down a klick track....snare and hihat.
By glide
Mon Jan 17, 2005 3:38 am
a very very nifty trick.. say you have a break-sample and your imported kit /kicks sound imported and the *cough* gorgius reverb on the 4k is not blending it inn that well eather
extract a chop from the break (just kick or snare or whereever you get a clean hit and a trail of reverb, layer it with your kick and adjust the startpoint of that Zone untill it plays only the reverb and all of a sudden your kicks sitting much better with the break..
even record air of a record at 24/96 and add that to the layer (the24/96 resolution really captures the warmth of the vinyl) and gives your kick more air to push
I should get paid for this... but wat de fak .. if it helps you make better music..
extract a chop from the break (just kick or snare or whereever you get a clean hit and a trail of reverb, layer it with your kick and adjust the startpoint of that Zone untill it plays only the reverb and all of a sudden your kicks sitting much better with the break..
even record air of a record at 24/96 and add that to the layer (the24/96 resolution really captures the warmth of the vinyl) and gives your kick more air to push
I should get paid for this... but wat de fak .. if it helps you make better music..

By Freedom
Tue Jan 18, 2005 6:08 pm
Get paid for hours of info you spent online researching a dj shadow interview telling people how he chops his breaks and puts air inbetween the silence
...
Now I should get paig for replying.

...
Now I should get paig for replying.
From hawaii I produce on the AKAI MPC 4000..
By glide
Tue Jan 18, 2005 11:42 pm
Bang! You got me
I'm dead..
perhaps I should have been more on key, never claimed the reverb trick was mine, but I can c it coming out that way, my bad..& haven’t been researching shadow on the net, I read this in an article in keyboard mag about 6years back, in fact
I posted this same trick in a thread called: making drums kick ass and yes I did/do give him full credit,
the vinyl part I discovered on my own though its the same as bouncing to tape to get an analogue saturation..
I also invented the filter sweep!
Bang! no u missed, and yes thats an uzi in my pocket
I won't forget the smile face next time I make an ego tasting comment about getting paid for giving tips..
no offence intended
I'm dead..
perhaps I should have been more on key, never claimed the reverb trick was mine, but I can c it coming out that way, my bad..& haven’t been researching shadow on the net, I read this in an article in keyboard mag about 6years back, in fact
I posted this same trick in a thread called: making drums kick ass and yes I did/do give him full credit,
the vinyl part I discovered on my own though its the same as bouncing to tape to get an analogue saturation..
I also invented the filter sweep!
I won't forget the smile face next time I make an ego tasting comment about getting paid for giving tips..
no offence intended

By Kid Captain Coolout
Wed Jan 19, 2005 7:33 am
Way to take one glide, i'll give you credit for handling that in a grown folks manner. 

