Jenre wrote:cowbells wrote:If you ever worked with a SP1200 you know it's NOT a bad idea at all.
In fact it's the easiest/fastest way to truncate samples.
Well I haven't. How does it work?
fader 1 is for rough START POINT editing (big steps) - fader 2 is for precise START POINT editing (small steps)
fader 3 is for rough END POINT editing - fader 4 is for precise END POINT editing
....oh yeah, fader 5 is for loop lenght
Believe me, above description looks more complicated than actually doing it.
Now i know that the 2500 only has two faders but i could imagine the Q-LINK pot to do the rough (big steps) editing and the fader doing the detailed editing.
Would have been great if Akai had implemented this feature. But those Japs still don't know what the Emu crew knew back in '85 (i think the SP12 has the same feature).