Can't decide which MPC to choose? Read these resources or post your questions here.
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By dabmeister Fri Nov 21, 2008 12:18 am
Damn, some of y'all gots to be salesmen or some sh!t. :lol:
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By AWW_NAWW Sat Nov 22, 2008 8:58 pm
Askia Shaheed wrote:
kneebone77 wrote:
Askia Shaheed wrote:the MPC 4000 is the least popular MPC.


Soulja Boy Tell 'Em is popular, It doesn't mean that he's good. :wink:


True. But we are talking MPCs...the MPCs that created so much classic music were not the 4000 brand:

http://www.youtube.com/watch?v=PSmE-amVT_U

@ 1:24 what do you see :lol:
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By Askia Shaheed Sun Nov 23, 2008 7:53 am
AWW_NAWW wrote:http://www.youtube.com/watch?v=PSmE-amVT_U
@ 1:24 what do you see


@ 1:24, that is a picture of the MPC 4000. I guess you choose to ignore all the producers banging on pads throughout the video that were not MPC 4000s :lol:

I only pointed this out because people (like me) go so overboard wanting Akai, JJ, Roland, or whoever to add various features in these drum machines, when producers for 20 years have crafted classic music with a fraction of these features. It doesn't matter if the MPC 4000 has a modulation matrix and a software editor. These features do not make or break great music.
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By Dr. Lecter Sun Nov 23, 2008 1:15 pm
T3KNOLOG3 wrote:MPC 4K VS MPC 5K

ROUND 1 Sequencer

MPC 4K Sequencer
Maximum events: 300,000 notes (equivalent)
Resolution: 960 pulses per 1/4-note (ppq)
Sequences: 128
Tracks per sequence: 128
MIDI output channels: 64 (16 channels x 4 output ports)
Song mode: 128 songs, 250 steps per song
Drum pads: 16 (velocity and pressure sensitive)
Drum pads banks: 6
Sync modes: MTC, MIDI clock, SMPTE

MPC 5K Sequencer
Maximum events: 100,000 notes
Resolution: 960 parts per 1/4-note
Sequences: 99
Tracks per sequence: 64
MIDI output channels: 64 (16 channels x 4 outputs)
Song mode: 20 songs, 250 steps per song
Drum pad: 16 (velocity and pressure sensitive)
Drum pad banks: 4
Sync mode: MIDI clock, MIDI Time Code
Transport Controls: MIDI Machine Control

MPC 4K best sequencer hands down

Round 2 Sampling

MPC 4K
Sound Generator
Sampling rates: 44.1kHz, 48kHz, 96kHz
Data format: 16/24-bit linear
Sampling time (unexpanded memory)
44.1kHz Mono: 180/120 (16/24 bit) seconds
48kHz Mono: 166/110 (16/24 bit) seconds
96kHz Mono: 90/55 (16/24 bit) seconds
44.1kHz Stereo: 90/60 (16/24 bit) seconds
48kHz Stereo: 83/55 (16/24 bit) seconds
96kHz Stereo: 41/27 (16/24 bit) seconds
Memory: 16MB standard, expandable to 512MB 168-pin DIMM (PC133/PC100, CL2) slot x 2
Polyphony: 64 voices
Filter Types: 36 resonant filter types (2/4/6-pole LP, BP, HP, notch, etc.)
Triple Filter: 2-pole multi-mode filters x 3 with resonance
Envelope Generators: 3 x Envelope generators (2 multi-stage)
LFO: 2 x Multi-wave with MIDI clock sync
Effects: 4-channel 24-bit/96kHz processor offering over 50 effects types including reverb, delay, chorus, flanging, phaser, pitch shift, rotary speaker, touch and autowah, compressor, noise gate and more.

MPC 5K
Sound Generator
Sampling rate: 44.1kHz
Memory capacity: 64MB standard, expandable to 192MB
Recording time: 12m 48sec. (64MB, MONO), 38m24sec. (192MB, MONO)
Memory expansion slot: 1 x for optional EXM-E3
Data format: 16-bit linear
Polyphony: 64
Dynamic filtering: 1 State Variable Filter per voice (up to 8 pole, depending on type)
Filter types: LOW PASS, BAND PASS, HIGH PASS, BAND BOOST, BAND STOP, ANALOG MODELING, VOCAL FORMANT
Preset sound memory: 16 MB
Number of programs: 128

Round 2 MPC 4k KO’s the 5K


Nuff said..hands down..Keep on bla blah blah and have a nice day.
By Sovereign Sun Nov 23, 2008 4:51 pm
Like it was ever a fair fight.
The dust has settled the 5k hype can't change the fact that it is what it is.
I still can't understand way any of us who truly understand the straight forward nature of the 4k still bother trying to explain it's advantages to people who simply refuse to hear the facts.

The 5k was designed to be better than the 2500 and that it is, but it was never designed to do what the 4k does.
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By dabmeister Mon Nov 24, 2008 2:03 am
Sovereign wrote:The 5k was designed to be better than the 2500 and that it is, but it was never designed to do what the 4k does.


And that pretty much sums it up right there.
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By Askia Shaheed Mon Nov 24, 2008 5:35 am
Sovereign wrote:Like it was ever a fair fight.
The dust has settled the 5k hype can't change the fact that it is what it is.
I still can't understand way any of us who truly understand the straight forward nature of the 4k still bother trying to explain it's advantages to people who simply refuse to hear the facts.

The 5k was designed to be better than the 2500 and that it is, but it was never designed to do what the 4k does.


What was the 4K designed to do that is extra special? I feel like the MPC 4000 was hyped and didn't deliver completely. MPCs are known for their workflow. The MPC 4000 is a little cumbersome. For example...take a look at how JJ implemented keygroups with the 1K/2.5K...simple and straight forward. The 4Ks process is not as streamlined. I hope Akai implements keygroups in the future because it appears to be its #1 shortcoming based upon forum feedback. But if added, I would prefer a more streamlined approach like JJ and not the 4K.

Now taking a look at the 4Ks specs, nothing really stands out....not at least for the core group of people that use MPCs. Things like maximum events, number of sequences, number of tracks, number of songs, SMPTE, etc are the last things most people are looking at when they are buying these drum machines. See all the feature request threads here as a testament or look at the MV 8800's key features that are unavailable in MPCs. Additionally, although the 4K is still powerful, it still loses to the 5K when it comes to effects, onboard synth, filters, audio tracks. swing parameters, Chop Shop, Patched phrase, automation, number of standard analog/digital outputs, q-links, mixing down songs, CD recording, file storage. I am started to feel as if the MPC 4K is underpowered.
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By dabmeister Mon Nov 24, 2008 9:27 am
I guess the features that are not being sought after that you mentioned Jah, is for PROFESSIONAL usage only. Of course you won't find the masses asking for this because they wouldn't & didn't know what to do with it in the first place, other than whine and cry to Akai about it.

So, thus the 5k was born to accomodate the folks that need those speacial features. Then you got folks out here that get the job done with the 4k and never have anything negative to say about it impeding them from doing whatever they need it to do.

Only the untalented seem to be impressed by those features because that's something they honestly need. Because without them, they wouldn't have a leg to stand on.
By Sovereign Mon Nov 24, 2008 12:13 pm
Askia Shaheed wrote:
Sovereign wrote:Like it was ever a fair fight.
The dust has settled the 5k hype can't change the fact that it is what it is.
I still can't understand way any of us who truly understand the straight forward nature of the 4k still bother trying to explain it's advantages to people who simply refuse to hear the facts.

The 5k was designed to be better than the 2500 and that it is, but it was never designed to do what the 4k does.


What was the 4K designed to do that is extra special? I feel like the MPC 4000 was hyped and didn't deliver completely. MPCs are known for their workflow. The MPC 4000 is a little cumbersome. For example...take a look at how JJ implemented keygroups with the 1K/2.5K...simple and straight forward. The 4Ks process is not as streamlined. I hope Akai implements keygroups in the future because it appears to be its #1 shortcoming based upon forum feedback. But if added, I would prefer a more streamlined approach like JJ and not the 4K.

Now taking a look at the 4Ks specs, nothing really stands out....not at least for the core group of people that use MPCs. Things like maximum events, number of sequences, number of tracks, number of songs, SMPTE, etc are the last things most people are looking at when they are buying these drum machines. See all the feature request threads here as a testament or look at the MV 8800's key features that are unavailable in MPCs. Additionally, although the 4K is still powerful, it still loses to the 5K when it comes to effects, onboard synth, filters, audio tracks. swing parameters, Chop Shop, Patched phrase, automation, number of standard analog/digital outputs, q-links, mixing down songs, CD recording, file storage. I am started to feel as if the MPC 4K is underpowered.


OK let's get a couple of things straight.
-There is nothing about the 4k that prevents it from being used EXACTLY like the other more simplistic MPC. The problem was that people saw the other aspects and wanted to use them only to realize that they couldn't so they tried to say it was more complicated.
The simple MPC functions are just as straight forward as ever.

-Jahrome ALL the statements you have ever made about the 4k here and the MV over at the Nation prove you didn't understand either machine deeply.
You reply to this previously was that it was a long time ago.
If that was in fact the case then you had an early 4k OS and an early MV OS, which means you never used the machines in the functional state.
That kill most of your comparisons right there.


-The Chop Shop on the 5k does not work and the Patch Phrase is a joke

-You actually want to see the synth on the 5k as desirable? It is only because it's free not because it great, don't lie to yourself.

-The filters on the 5k are better than the filters on the 4k? Don't see that one you must have a golden edition 5k because the one we have doesn't have them.

-More Q-Links would mean something if they had better implementation.

-Audio Tracks??? With 512 memory and the way you can structure and manipulate your samples, why would you need Audio Tracks on the 4k?
Audio Tracks on the 4k is just like using Audio tracks on the ASR-10.

-CD recording, so I want torecord a CD in the 4k, 5k or even MV? I don't think so.

-File storage? Totally confused on this one since the 4k has SCSI, AK-SYS w/ USB, plus the ability to hook any type of USB storage device to the front USB and use it directly.
That means HD's, Card readers etc.


As I said people are simply refusing to hear the truth.
The more you know about the 4k the funnier it will always be when people defend the 5k.
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By b.read Mon Nov 24, 2008 12:46 pm
The 4k definitely interests me...I use a 1k now and am not sure if I should make the leap. If anything, I'd keep the 1000 and have both. Any advice?
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By dabmeister Mon Nov 24, 2008 3:00 pm
jbraudio wrote:The 4k definitely interests me...I use a 1k now and am not sure if I should make the leap. If anything, I'd keep the 1000 and have both. Any advice?


You're on the right track bruh. Don't be persuaded into thinking whatever new is put out is the best. These are gear collectors trying to win you over.

There's nothing wrong with the last of the original Akai mpc series, it's the misunderstanding of the 4k that brings on the hate from folks.

Just like me, you're a true musician too right? Then you'll really appreciate what the 4k will bring to the table once you put your hands on one.
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By b.read Mon Nov 24, 2008 3:10 pm
well, I've messed around with a 5000 in GC (granted, it was only for about 20 minutes) but I didn't experience anything with it that would make me want to get one although I know I would have to spend more time with it in order to totally rule it out. I would like to try out a different mpc (I've only owned a 1k so far). While I enjoy the compact size of it, I sometimes feel like I want to work on something bigger. The features of the 4000 have caught my attention, I just don't know if I should take the plunge. I guess I need to figure out if it's over-kill or not for me at this point. I am a musician (Played the drums for 15 years) but in my music making career, I wonder if a 4000 is the right step. While the 2500 is larger than my 1000, I don't feel it brings enough differences compared to the 1000 to warrant buying one. Should I just keep using my 1000/JJ and shut up? LOL
Sorry if this is hi-jacking the thread...
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By dabmeister Mon Nov 24, 2008 3:19 pm
Well, just keep in mind that most if not all of the features implemented in the jj os is already on the 4k.
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By b.read Mon Nov 24, 2008 3:28 pm
That's a good point...so I would basically be buying a new machine for its bigger size, 2 extra pad banks, and higher resolution, right? I know that's not the only differences between a 4000 and a 1000 w/JJ, but those would be some of my favorite features. Maybe if I win the lottery LOL