OJ Reem wrote:Let's get the facts out there......
If an MPC 4000 user switches to an MPC 5000, what functions/features will that person lose?
96khz/24bit, Ability to control various Samples/Programs via Midi CC,64 more Sequence Tracks, 30 more Sequences, 64 point Program Modulation with both DRUM programs and Keygroup Programs, Q-Link Sequence, Multi's(with all it entails), The Additional Sample Edit features the 4000 has, Note Off, 3rd Envelope, 2nd LFO with Multiple Destinations, more then 1 Filter, 300,000 sequence event limit, Dedicated Computer Editor via USB, USB Keyboard input, 320M more of RAM, ability to hook up 128 Seperate External USB Harddrives of 500G a piece or greater (64 Terrabyte)
OJ Reem wrote:If an MPC 4000 user switches to an MPC 5000, what functions/features will that person gain?
* Mediocre Virtual Analog Synth - I have Several VA's and Analog Synths, so don't gain
anything by this.
* 8 Track Direct To Disk recording. - while this ability is not on the 4000, we do have the ability to record 64 Tracks to RAM, and with the 512M of RAM, covers most "Song" needs (if the 5000 had 8 Inputs, now that would be something to talk about!)
* "Patched Phrases" - 4000 users already essentially have this feature with "Slice and Sequence" funciton
* Stereo Slicing --- the 4000 has had that all along
* Arpeggiator - my Waldorf Q Rack has 16 Arps, one for each Midi Channel and it's implementation of an Arp is much nicer

so personally I don't need one myself, but it is nice for those who don't already have access.
* Modular 4 Bus FX... hey wait... we already have that on the 4000
** Pad Mute Groups - Now THIS IS SOMETHING. Of course, I specifically requested this for the MPC 4000 over 3 years ago, but it appears that they have finally figured out how to implement it in the 5000...
** Continuous Sample Track - ensures samples play in perfect sync no matter where you start the beat in a loop
That's a nice feature... I can get the same effect, if I use the "Slice and Sequence" feature of the 4000.
Cheers,
Dave