Patch Phrase??

Thats because its not designed to be used in AUDIO track....
PP must be used in standard program (DRUM) to work properly...

darn, why didn't I think of that

thanks!

no problem sir

im curious as to how others use this?

I always thought it was doo doo, too. but your posts shed some light on it. i see the value of it if you are using it to "phreak" a drum break. Any other good ways you guys are using it?

cyrus wrote:im curious as to how others use this?
i see the value of it if you are using it to "phreak" a drum break.

yeah that, what u said right there.

its a break liquidifiator.

and in use with delays and filters and qlinks, its really ace, but maybe for many people only in the right situation,
cos it IS mono, and DOES sound a bit like a time stretched patched phrase. but like in that youtube demo, it can blow up really nice. perhaps not for the squeaky clean realism sample oriented types.

there are allsorts of examples of some new tech being abused for the sake of a style or genre, and this in a way is that too. but lucky for me i really like the feel of it, and ive got my own ways of making it really sound good for me, so i reckon each could find they're own slant on it.

as long as the few basics are taken care of, it works 100% as a way to tie the loop/break/sample to the tempo no matter what the speeds/pitches..... its basically like recycle or acid or whatever those things are called, where the midifile and sample are tied to beat markers/slice points.

arebee wrote:

cyrus wrote:im curious as to how others use this?
i see the value of it if you are using it to "phreak" a drum break.

yeah that, what u said right there.

its a break liquidifiator.

and in use with delays and filters and qlinks, its really ace, but maybe for many people only in the right situation,
cos it IS mono, and DOES sound a bit like a time stretched patched phrase. but like in that youtube demo, it can blow up really nice. perhaps not for the squeaky clean realism sample oriented types.

there are allsorts of examples of some new tech being abused for the sake of a style or genre, and this in a way is that too. but lucky for me i really like the feel of it, and ive got my own ways of making it really sound good for me, so i reckon each could find they're own slant on it.

as long as the few basics are taken care of, it works 100% as a way to tie the loop/break/sample to the tempo no matter what the speeds/pitches..... its basically like recycle or acid or whatever those things are called, where the midifile and sample are tied to beat markers/slice points.

i forget, but i thought in one of the versioin, you could extract both a pgm with the samples, and the midi sequence? maybe not? either way, that would be a cool addition to it. get your patch phrase working good, then "export" or "extract" into a pgm and sequence.