Mink wrote:I started off wanting to use the MPC from within Logic Pro X but it seemed such a fiddly and time consuming thing to set up, which never really worked well.
I seem to have settled (for now) by using the MPC in standalone mode for mostly everything. If I need some of the Logic stuff, I will often fire it up alongside, and then channel the audio through to the MPC as a new sample which can then be manipulated. If I am done with my track, and want to add audio (vocals), I will often layer this on using Adobe Audition (force of habit), and then occasionally will also track out to Logic for additional mixing. A PITA again but hey.
It is annoying not having a one-stop shop, and I'd love to see how Logic can integrate with the MPC workflow properly, but I haven't worked that out yet.
If I could get a good mastering plugin, I'd probably be set.
As for all the discussion though - it's really a case of what works well for the individual, what they are comfortable with. Best results always come from being able to navigate a workflow with minimal distraction from the creative stuff - it's one of the reasons I got an MPC in the first place. The moment you have to stop work and spend 20 minutes trying to figure something out in an alien DAW, the moment is gone and your end result will no doubt suffer. There is no right or wrong answer. Stick with whatever method you feel suits you best IMO
The beauty of the MPC line starting with the MPC-60 is that you could sequence your entire music track within. Ad audio tracks with editing features! The MPC will be the best hardware/software combo ever made. I've been dreaming, and wanting this for 28 years. I purchased these units when they first hit the market: The Roland Tr-808 TR-707, TR-727, TR-909, EMU SP-12, EMU SP-1200, Alesis HR-16, Roland Boss DR-660 Dr. Rhythm, AKAI MPC60II, ROLAND MV-8000, MPC-5000, Native Instruments Maschine, and now the MPC-STUDIO. I still own a few of them. I've always wanted to be able to complete a entire song in one unit, (Without using anything else) but none of them had audio tracks except the MPC-5000. Out of all the machines I've owned/and still own, the MPC is it! Hopefully one day soon (WE CAN DO IT ALL WITH THE MPC!) I've been waiting a long time for this. Here's some Oldschool for you that I produced back in 1992. it peaked at 88 on the billboard charts.
http://www.billboard.com/artist/389702/ ... tion/chart Everything was done with the MPC-60II except the vocals and the scratches lol.
https://www.youtube.com/watch?v=TZG5MuEpudM Let's do it (ALL) in the MPC.
The wait has been long. I know Akai can make happen (FINALLY)