Bug reports & end-user support for Akai's MPC Software 'controllers' including the new MPC Studio 2, the MPC Touch, MPC Renaissance & original MPC Studio and MPC StudioB lack.
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By bliprock Wed Jan 25, 2012 4:22 am
Fess wrote:Christ man, there are about 25 videos demoing it's workflow but you have to actually make an effort to view them first...
You might wanna keep that in mind before you post bullsh*t, cause you clearly don't know fu*k all about the BT. Roland creates a lot of hype around their sh*t just as bad as anyone else. SuperNATURAL ARX technology? What a laugh! :lol:
Dude, chillax. :shock: I beg to differ though, as I have read this thread and know more about the BT than ever. so thanks
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By DJ Hellfire Wed Jan 25, 2012 5:05 am
audiounity111 wrote:
DJ Hellfire wrote:
audiounity111 wrote:I wanted to try it because of all the sarcasm and hate poured on it with little tech discussion, like what it can't do which I stated, and what it can like 128 not polyphony.
As a musician that matters to me.
Ultimately it has issues but I only take specs at face value, and that's it.
I'm a grown man whose played in many bands from jazz to hip hop and can give a **** what anyone thinks about looks or vibe about a product, to me it comes down to specs. I'm too old to care if my product choice is hated or not. Any cat with some talent can come up with something good on the Beat Thang, MPC, hell, a casio keyboard and a tape deck. I just wanted to let the cats who think by specs and not public opinion what use this box may or may not have.



The reason there aren't many technical discussions about it is because how the company came off in the beginning. One of the company heads was literally here on this very forum actually arguing back and forth with members about BT, even trash talking MPC's. Sure the members trash talked BT first, but these aren't people trying to get a company off the ground. What respectable company do you know has ever done this? With all the negative **** said about Akai and the new MPC's, you don't see Dan on here engaging in back and forth flame wars with members and potential customers, or over at BT forums **** talking their members. With that alone, marketing and gaudy design aside, why would most people want to invest in a company like that or even try their product? Doesn't provide much confidence in the brightness of their future IMO. Maybe they've turned their public image around, but it's too late, for me!


I get that, and could understand someone not wanting to try it on principle. I just wanted to give some thoughts on what I found.



Respect! 8)
By Fess Wed Jan 25, 2012 3:50 pm
audiounity111 wrote:
Fess wrote:
audiounity111 wrote:Annoyingly, I quickly discovered that you can only quantize a track one way. So annoying and a bit of a deal breaker with 16 tracks... You can't record drums quantized at 16nths, like bass drum and snare, and then go back and overdub non quantized. Everything recorded today, yesterday, and tomorrow on that one track will be tied together to whatever quantize value you choose. So you can't mix rhythms and unquantized overdubs. LAME





Watch this:

http://www.youtube.com/watch?v=8oej4GEjJQ4

Tracks one and two (each different bar lengths) are each quantized to 16th notes, then when he gets to track 3, he turns off quantize to do a few fills, so yes, what you want to do can be done.

If you want the humanized feel for each track, just turn quantize off, and listen to the metronome to check your timing like he did in the instructional video.

If you don't take the time to learn the functions, yeah, it will seem limited but when you dig in, you'll discover all the useful functions this box has, that no other box currently has.

It's the same mind-set new MPC users have. They think there are secret techniques to create mind blowing tracks on MPCs when the truth is, the 'gifted' MPC producers simply know everything the machine does. If cats actually got to know their machines before they start complaining about what they can't do, it'd be a different story every time.

As for the effects...what producer (serious about their career) uses stock effects on their finished work?

I said from the beginning, BT is a great sketchpad and has many useful functions to make sample based music. If you're looking for a box that 'does it all', they don't exist.


Allright, I think I might have not been clear enough all though I do see that I wrote "Everything recorded today, yesterday, and tomorrow on that one track will be tied together to whatever quantize value you choose." But I can see the room for misunderstanding. But see before where I also said that this becomes a deal breaker when you only have 16 tracks. So let me tell you where I am coming from. I don't do simple beats, (sometimes). I know about clicks and have tracked guitar and keys on recordings (or more to the point, have spent months in years past practicing to a metronome for 8 hours a day.) I am not a drummer, Some stuff I can pull off, some I can't, then again I studies jazz for 12 years so I am talking Elvin Jones style drums, I love a lot of cats on their MPC's and beat battles, but let me tell you, some of the rawest live jams, if you wrote it out, there would be some missing beats. That's all right, the energy creativity can make up for it. When I had an MPC, I could qauntize the bass and snare in quarters... layer it up man, say I want sections where there are 64th note triplets, every time division tastefully somehow in the beat (even if in the background,) so you have 4, T4, 8, T8, 16, T16, 32, T32, 64, T64 .. That's 10 tracks used up for one drum! when I could have it as one track on an MPC that let's you layer overdubs quantized to different values. And I'm a gear head so don't lay the 8 banks per track on me because there is no flexible effects routing so if I try to add instruments to each dedicated track which represents a time value, that instrument has to get routed to the same effects the drums are routed to (since I can't use up 10 more tracks just for an instrument at each value.) So any in depth programming will be limited on this box, but it has great polyphony. Now I wouldn't utilize every time value on everything I make, but I like the option, and I have experimented at that complexity before. And quantize is fun, and I like to mix it up with non quantized material. I read EVERY manual back and forth. sucks that the Beat Thang only has videos past a manual that other companies would call a quick start guide, I try every button and know my gear back and forth. I ain't some amateur and came in here trying to be balanced, but yes, many functions on the beat thang are not advanced. I do like the Polyphony though. And I do play some of my beats unquantized, and I play keys and guitar all raw, and then send the **** through my outboard effects processors. I am not looking for an all in one unit. I was looking for the right unit for me and wanted to send some insight which is lacking (was lacking for me when I wanted to find out more about the unit..) So Yes, my original statement stands true, each track is only allowed one quantize value, no mixed values from overdubs on one Track. Now, surprise me with a feature that I don't know about since that is apparently my mentality. So, maybe I didn't communicate clearly enough. But I know what I am talking about.



10 tracks for one drum? Rubbish.

I had to read it a few times to understand your unintentionally convoluted response.

See below:

http://www.learnbeatthang.com/beat-than ... ord-modes/

I would suggest that you watch the instructional videos and actually learn what the machine is capable of before posting more ignorant comments like you did above. Notice that he has about 6 percussive sounds on Track 3 (quantize set at 1/16) at one point, all with different patterns- destroying your claim about it not being able to overdub and create complex grooves on one track.

Also, can you please explain to me how you've used the flexible effects routing system on the MPC? You said you read EVERY manual from cover to cover, so I look forward to your insight.

Everyone has to remember that BT doesn't do everything for everybody. It doesn't have grid edit yet, but it's coming as well as some other kick-ass features that are new, and very efficient for a hybrid hardware/computer setup. If you want to be surprised by the BT's features, start watching the videos.
By audiounity111 Thu Jan 26, 2012 12:31 am
I'm about to write a response, and I watched each video you post before writing a response, and at this point I don't know if you're playing ignorant on purpose or you never play anything under a sixteenth note. Why don't you try playing a 16nth note hi hat sloppily but well enough to where it sounds fine quantized to 16nth notes. Now, overdub a 64th note bass drum blast with quantize set to 64th notes. What happens!? Your hi hat that sounded fine at 16nth note quantize now turns sloppy as the new quantize resolution effects what you recorded before not just your new overdub. On an MPC the original track would be printed permanently so you can layer quantized and unquantized drums all on the same track! So you don't need flexible effects routing as each track can hold all you want if you are going to mix rhythms quantized and unquantized. What's more, the effects on the BT are better. Are you a spokesperson for the company? I tried to be balanced but you are making me understand why people got tired of the beat thang. I gave props where they were do, polyphony and nondestructive autochop. I also criticized that it can not do something THAT I find useful, not YOU, for MY purchase, and you get all defense about your toy. This isn't about if I can play every drum rhythm right unquantized, as the same for most of the potential buyers who I wanted to share plusses and minus to. Show me a video with 64th note blast and triplets, crazy time divisions.... Because with what I am talking about you can do that on one track on an MPC, and on a Beat Thang you can't if you try to get there by quantize, unless you resample each quantized phrase so when you try to layer (overdub) unquantized hi hat on a quantized snare drum, the quantize on the snare drum doesn't go away as well. On an MPC when you overdub at a new quantize level it doesn't change the quantization of what you had before.

And since your always posting videos, with what I am talking about the following would be possible, (although terribly time consuming..) Obviously it would be a bit watered down. but here ya go... It's not all 16nth notes.
http://www.youtube.com/watch?v=e7RRThntic0
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By DJ Hellfire Thu Jan 26, 2012 1:00 am
audiounity111 wrote:And since your always posting videos, with what I am talking about the following would be possible, (although terribly time consuming..) Obviously it would be a bit watered down. but here ya go... It's not all 16nth notes.
http://www.youtube.com/watch?v=e7RRThntic0



MAN! You must have to be able to use 90% of your brain power to be able to drum like that! Holy shit! :shock: I can barely play two different pads at the same time! :lol:
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By b.read Thu Jan 26, 2012 1:20 am
DJ Hellfire wrote: I can barely play two different pads at the same time! :lol:



You and Daniel should do an album together...


bah dum crashhhhh :lol: All jokes... 8)
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By DJ Hellfire Thu Jan 26, 2012 2:42 am
b.read wrote:
DJ Hellfire wrote: I can barely play two different pads at the same time! :lol:



You and Daniel should do an album together...


bah dum crashhhhh :lol: All jokes... 8)



I'm not THAT bad! :lol: I can play a nice kick snare pattern, but thrown in some hi hats in and a sample all at the same time an I'm just all **** up! :lol:
By Fess Thu Jan 26, 2012 3:00 pm
audiounity111 wrote:I'm about to write a response, and I watched each video you post before writing a response, and at this point I don't know if you're playing ignorant on purpose or you never play anything under a sixteenth note. Why don't you try playing a 16nth note hi hat sloppily but well enough to where it sounds fine quantized to 16nth notes. Now, overdub a 64th note bass drum blast with quantize set to 64th notes. What happens!? Your hi hat that sounded fine at 16nth note quantize now turns sloppy as the new quantize resolution effects what you recorded before not just your new overdub. On an MPC the original track would be printed permanently so you can layer quantized and unquantized drums all on the same track! So you don't need flexible effects routing as each track can hold all you want if you are going to mix rhythms quantized and unquantized. What's more, the effects on the BT are better. Are you a spokesperson for the company? I tried to be balanced but you are making me understand why people got tired of the beat thang. I gave props where they were do, polyphony and nondestructive autochop. I also criticized that it can not do something THAT I find useful, not YOU, for MY purchase, and you get all defense about your toy. This isn't about if I can play every drum rhythm right unquantized, as the same for most of the potential buyers who I wanted to share plusses and minus to. Show me a video with 64th note blast and triplets, crazy time divisions.... Because with what I am talking about you can do that on one track on an MPC, and on a Beat Thang you can't if you try to get there by quantize, unless you resample each quantized phrase so when you try to layer (overdub) unquantized hi hat on a quantized snare drum, the quantize on the snare drum doesn't go away as well. On an MPC when you overdub at a new quantize level it doesn't change the quantization of what you had before.

And since your always posting videos, with what I am talking about the following would be possible, (although terribly time consuming..) Obviously it would be a bit watered down. but here ya go... It's not all 16nth notes.
http://www.youtube.com/watch?v=e7RRThntic0


First off, why in the hell would I try to play a high hat 'sloppily' to begin with? In the video link I posted the BT was set to 1/16 ppq in that session. He could have started with 1/64 ppq or turned off quantize and then adding in bass drums would not have messed up the rhythm and even if it did, so what? With a few button presses you can copy the beat and edit it on the fly. The 960 ppq sequencer and the changeable time signatures on the fly (which is not available in any MPC) give anyone with any sense of rhythm more than enough tools to create any groove. It's all in how you use the machine. The only thing BT is missing is grid and event edit, which is coming. Bottom line is, if the MPC is better for you to create complex, out of time sloppy ass beats, why don't you just buy another MPC since the BT seems to be too much 'toy' for you. Most of us in here use our MPCs to make tight beats that actually have a groove and a head nod factor. I'm sorry if I can't identify with creating complex, sloppy ass out of time beats. It's not something I've ever practiced doing-sorry man. :lol:

You can get with this: http://www.youtube.com/watch?v=GHkucr1jJpQ

-or you can get with that...http://www.youtube.com/watch?v=e7RRThntic0


The choice is yours.
By audiounity111 Fri Jan 27, 2012 2:01 am
:lol:

Man, your ability to twist my words out of context and miss what I am saying seems to know no bounds. You seem incapable of keeping anything in context, and with each statement you make I seriously doubt you hear or understand music at any depth or level. You miss the fact that I (am) was trying to give BT a chance, but you keep snipping at one point and missing completely.

First I said that BT doesn’t allow you to record quantized and non quantized drums on the same track. You come back with a video that shows a cat with two tracks, one quantized and one un quantized and parade that like it’s the same thing, and then banter some advice like I don’t understand the unit.
You reply to my layout of how to quantize tracks separately to create a complex groove, as you can not mix quantize values on one track on BT with yet again another miss, a cat doing everything in 16nths, after I mentioned 32nds, triplets, whatever. You also call it complex, I call it simple, but that’s fine, some simple beats are cool. But I definitely wouldn’t call it complex. And as I am a trained musician who, by your lack of knowledge about rhythm and music, most definitely have years of time with a metronome on you, believe me, it’s not on the 16nth note level that I require quantize.
But this one takes the cake. And I can see how your mind works through it. And your lack of ear. See if you can follow this logical sequence. I said that mixing quantize levels is useful so that complex grooves that one might try to lay down DON’T GET SLOPPY. Since you refused to understand why quantizing at different levels could be useful I asked you to act like some young kid who doesn’t know how to play in time, and quantize a sloppy hi hat at 16nths so it sounds tight. Now that kid tries to lay down a faster time value and his previously TIGHT hi hat track sounds sloppy, but if it could retain it’s 16nth note quantize as he overdubs something new, it wouldn’t sound sloppy. Are you really that dense!?!? Or are you trying to trick people into thinking that I am saying something different so you don’t have to deal with real knowledge. I never said anything about being sloppy as a choice, I was saying the exact opposite. Of why quantize is useful so one doesn’t get sloppy. In fact! Just to make my argument, I had to get the BT out and try playing sloppy on purpose to make sure that this quantize issue is there as I see it.

AND THEN!

By completely misinterpreting my recommendation for you to go test out why quantizing at separate levels is useful, as in it would not let any sloppiness through, you not only have the nerve to act like I was condoning and recommending sloppy playing, somehow you mixed it up and put it on a cat like Dave Weckl. Dave Weckl is one of the epitomes of precision and jazz drumming. There are cats in jazz I like even more, but to call Dave Weckl sloppy? You serious? Really? And then comparing him to Neil Peart who while a great and respected drummer can’t even touch Dave Weckl’s reputation as a drummer in the jazz, fusion, Afro-Cuban styles? Sloppy? Did all those Latin grooves he was coming in and out of sound sloppy? Do you find Jazz and Latin music sloppy and therefore by extension Hip Hop sloppy as well? Do you prefer Justin Bieber? Afro-Cuban Jazz not Vanilla enough for you???? You can’t find the 2 and 4 unless someone stomps 1 and 3 for you? Dave Weckl sloppy??? You have any idea how much credibility you lost? Here is another cat in the same vein who you will probably find sloppy. Another of the greats. I guess you could always put on some Nickelback instead.
(really? I still can’t believe it… It’s like you just called DJ Premier too country..)

http://www.youtube.com/watch?v=JWQjqWiGzh8
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By bliprock Fri Jan 27, 2012 3:48 pm
Im feelin ya Poundaproblem. that old saying comes to mind, can talk the talk, but cant walk the walk. Thats not directed at anyone just ya feel that there is little of 'hey check it out' - then a wicked demonstration thats original. All the gear in the world wont make up for crappy attitude or make music that much easier to create. But i do like good gear, and want to know about gear, so i get sucked into these threads pretty easily.
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By b.read Mon Jan 30, 2012 6:15 pm
poundaproblem wrote:F*ck the beat thang, F*ck the ren...F*ck the 70 page threads....Dont anyone make beats anymore? Or just talk about the gear and the beats they COULD (but dont) make :lol:




Duuuuuuuude, we gotta compare a piece of gear that very few here have used, to a piece of gear that ain't even out yet. DUH... :lol:



Now, where's those minibrute/minitaur threads? :wink: