
By sensei
Sun Nov 25, 2012 12:05 am
The other things about samplers which is rarely addressed is ...
The digital summing engine.
Ever heard about back in the day how certain big time engineers wouldn't use certain software because they didn't like the summing of the software? Well this stuff is very real and not pseudo science.
There is certainly something in the way old samplers were coded with regards to their summing. People rarely consider this when accounting for the sound of something. This is why I said from the beginning a whole beat is needed to really test the way these things sound.
There is something about old samplers like MPC3000 and ASR10 and the way there coding (not just their digital and analog circuitry) affected the stereo output of the beat. The limitations of software at the time added to the nuances of the sound. You can't brush that stuff off as insignificant. It's completely pertinent to the sounds of these old school samplers.
One thing though the OP got correct is that you probably need the Ren and 3000 next to one another to really know. Otherwise you'd need to be extremely familiar with the sound of the MPC3000 to make a call. So you can buy both (and flap your trap about that) or go to Tokyo (or wherever) and do some listening tests.
OR . . .
Get your advice and information from someone who KNOWS what they are doing/talking about, has no ulterior motive, isn't a fanboy and more interested in informed, non biased information. They do exist but they are hard to find amongst the waffle sometimes.
OR
Keep your current MPC and just make beats and avoid buying into this overpriced/overhyped piece of kit. Just to get one thing clear, just because I don't like the price of this thing or the hype, doesn't mean I don't like it as a tool. If you already have a soundcard, I'd advise waiting for the Studio.
The digital summing engine.
Ever heard about back in the day how certain big time engineers wouldn't use certain software because they didn't like the summing of the software? Well this stuff is very real and not pseudo science.
There is certainly something in the way old samplers were coded with regards to their summing. People rarely consider this when accounting for the sound of something. This is why I said from the beginning a whole beat is needed to really test the way these things sound.
There is something about old samplers like MPC3000 and ASR10 and the way there coding (not just their digital and analog circuitry) affected the stereo output of the beat. The limitations of software at the time added to the nuances of the sound. You can't brush that stuff off as insignificant. It's completely pertinent to the sounds of these old school samplers.
One thing though the OP got correct is that you probably need the Ren and 3000 next to one another to really know. Otherwise you'd need to be extremely familiar with the sound of the MPC3000 to make a call. So you can buy both (and flap your trap about that) or go to Tokyo (or wherever) and do some listening tests.
OR . . .
Get your advice and information from someone who KNOWS what they are doing/talking about, has no ulterior motive, isn't a fanboy and more interested in informed, non biased information. They do exist but they are hard to find amongst the waffle sometimes.
OR
Keep your current MPC and just make beats and avoid buying into this overpriced/overhyped piece of kit. Just to get one thing clear, just because I don't like the price of this thing or the hype, doesn't mean I don't like it as a tool. If you already have a soundcard, I'd advise waiting for the Studio.








