
I don't know the parameters on the MPC REN but you'll have to turn on the MIDI soft thru to change from MIDI OUT to MIDI THRU.
If your MPC isn't able to set all MIDI OUTs to THRU you'll have to daisy chain one device to the next
Logic Track X (MIDI channel X) -> MIDI OUT of your soundcard/interface
MIDI OUT of your soundcard /interface -> MPC MIDI IN
MPC OUT 1 (set to soft thru) -> Synth 1 MIDI IN
Synth 1 MIDI Thru -> Synth 2 MIDI IN
Synth 2 MIDI Thru -> Drummachine MIDI IN
etc.
Each device need its own MIDI-channel(s)
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MIDI Chains and Loops
A MIDI chain describes a series of one-way connections in a MIDI setup. The elemental chain is a single-link chain. The MIDI OUT port of one device is connected to the MIDI IN port of a second. In this configuration, a key pressed on the first unit will cause both units to sound. Pressing a key on the second unit, however, only causes the second unit to sound. Many instruments may be chained together using a series of single links to connect the units. In this case, the OUT of the first unit is connected to the second, the THRU of the second is connected to the IN of a third, and so on. If all the units are set to receive on the same channel, pressing a key on the first one will cause all the units to sound. Pressing a key on any of the other units will only activate the sound of that unit.
A MIDI loop is a special configuration of a MIDI chain. The single element loop is made of two interconnecting links. This was the configuration used in the debut of the MIDI system. The OUT port of the first unit is connected to the IN port of the second, and the OUT port of the second is connected to the IN port of the first. In this case, as described earlier, a key pressed on either unit causes both units to sound, provided they are on the same channel. A MIDI feedback loop does NOT exist here, as the data going into the second unit from the first is not duplicated in the OUT port of the second going back into the first. Here, we have two one-way links connected, not a multi-link chain.
MIDI loops connecting several devices using all three ports can become complex very quickly. As a brief example, imagine four synthesizers named A, B, C, and D for convenience. A's OUT is connected to B's IN and consequently to C's IN via B's THRU. B's OUT connects to D's IN, whose THRU connects to A's IN. A key pressed on A sounds A, B and C. A key pressed on C sounds C and C alone. A key pressed on B sounds B, D, and A, while a key pressed on D sounds D only. C does not sound when B is pressed because there is no direct connection between B and C, and B's note, which does route through D, does not route through A into C because A's THRU is not connected to C, or anything else for that matter. A note played on A does not sound on D for the same reason. You get the idea.