You should know me better than that jahrome
And having had an SP-1200, you might know what is unparalelled as far as design. the ASR 10 also has many uparalleled features.
but with the SP, It really comes down to the slider interface, the multipitch option shyts all over 16 levels, the faders as a mixer for realtime playing of the beat, having a course and fine start point and end point sliders right at your fingertips, it's really an ergonomic dream. A fantastic way to intgrate an analog interface without clutter or confusion.
Now I can understand people not understanding the emu design now, back then they were really taking a lot from the Linn 9000 whch was all there really was at the time, and they improved upon the concept. my emax took me a year to really understand to the point I could dive in really well, Emu speak is a different language. but once you get the machine it is unbelievable, and I am hardly a sp 1200 expert, I'm just big on interface and instrument design, and i speak emu so it helps.
the MPC's are pretty idiot proof for the basics, that's partly because they have become the standard, if emu had akai's sampler success we might be singing a different tune, talking about segments
but if the MPC was loved so much, maybe your precious akai pro wouldn't have filed for bankruptcy this month?
