By Higher Hat
Mon Jan 21, 2008 9:32 am
For most of the late 90s & early 2000s I "wrote off" the MPC300 effects, & very rarely used them while recording.
I now feel very different and use the effects just about all the time.
If you take time and play with the delay times you can get some SICK, ROBUST delays going on that will rival some Lexicon sh!t right in the box!
With a short delay time you can even get what sound like ill reverbs, & then you can pan one all the way left, and the other all the way right- and set the delays on each to "single" & "double" times (to your bpm) and you can blow minds- just be careful with your speakers- cuz some of the long delay times can go infinite quickly and create some DEADLY feedbacks- gotta love the danger though- A good chef loves a sharp knife! Anybody feeling me?
I now feel very different and use the effects just about all the time.
If you take time and play with the delay times you can get some SICK, ROBUST delays going on that will rival some Lexicon sh!t right in the box!
With a short delay time you can even get what sound like ill reverbs, & then you can pan one all the way left, and the other all the way right- and set the delays on each to "single" & "double" times (to your bpm) and you can blow minds- just be careful with your speakers- cuz some of the long delay times can go infinite quickly and create some DEADLY feedbacks- gotta love the danger though- A good chef loves a sharp knife! Anybody feeling me?



