Share your knowledge on these two classic MPCs
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By Philly Stress Tue May 09, 2006 12:40 am
I listeniing to some of the Filter I've done with the MPC 3000 and comparing in to some of the things I've Dj Hi tek Do,Ive come to realize I can't think of a term that acturately Describes the MPC 3000 Filter. :shock:

I'd like to say it's grimey but I don't Know if thats right the term??

Any Thoughts??

By earwolf Tue May 09, 2006 1:01 am
WHERE IS YOUR WEBSITE

By Deta!L Tue May 09, 2006 2:24 am
Hmmm, I dunno, I like the 3K's filter on kicks because it's a lot faster to do than the 60/S950 but soundwise I prefer the S950's filter for sure

I wish there were more things you could switch up with the 3K, I also don't like the 16 levels feature with the filter on the 3K but I guess that's more of me being used to the 60?
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By 3001 Tue May 09, 2006 8:29 am
the filter wel, kind of sucks?! it's old digital technology. Ithink the filter's one of hte worst aspects on the mpc3k
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By The Maker Tue May 09, 2006 10:21 am
3001 wrote:the filter wel, kind of sucks?! it's old digital technology. Ithink the filter's one of hte worst aspects on the mpc3k


Bullsh@t.
Like Deta!L said, it has it's purpose.

Old digital technology?
3001 use your ears not spec sheets.
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By tbiggz Wed May 10, 2006 9:10 pm
The 3k filter is a rather harsh but accurate filter.
The 950 or Emulator III filters are smoother in
contrast. This isn't an analog or digital thing
either since I think the S950 has digital filtering.

The 3k resonance is good also but I find it must
be used sparingly since it is again, rather biting
(but then again, resonance usu. is this way).

When coupled with the delay line, there is no
end to the possibilities. At that point, you're
working on a synth more than a beat box.
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By Philly Stress Wed May 10, 2006 11:28 pm
tbiggz wrote:The 3k filter is a rather harsh but accurate filter.
The 950 or Emulator III filters are smoother in
contrast. This isn't an analog or digital thing
either since I think the S950 has digital filtering.

The 3k resonance is good also but I find it must
be used sparingly since it is again, rather biting
(but then again, resonance usu. is this way).

When coupled with the delay line, there is no
end to the possibilities. At that point, you're
working on a synth more than a beat box.


It the filter at coloring sounds than doing stuff like say, filtered basslines.

By Lewinlad Thu May 11, 2006 11:02 am
The Maker wrote:
3001 wrote:the filter wel, kind of sucks?! it's old digital technology. Ithink the filter's one of hte worst aspects on the mpc3k


Bullsh@t.
Like Deta!L said, it has it's purpose.

Old digital technology?
3001 use your ears not spec sheets.




i also dont like the filter that much, i find the frostwave resonator (true ms-20 clone) to be one of the best filters ive ever used. far far better than the sherman and the mpcs filter.




alex!
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By The Maker Thu May 11, 2006 11:04 am
Lewinlad wrote:


i also dont like the filter that much, i find the frostwave resonator (true ms-20 clone) to be one of the best filters ive ever used. far far better than the sherman and the mpcs filter.




alex!


Pretty silly comparing a filter on a synth or sampler to hardware filters. :roll:

By Lewinlad Thu May 11, 2006 3:30 pm
The Maker wrote:
Lewinlad wrote:


i also dont like the filter that much, i find the frostwave resonator (true ms-20 clone) to be one of the best filters ive ever used. far far better than the sherman and the mpcs filter.




alex!


Pretty silly comparing a filter on a synth or sampler to hardware filters. :roll:




maybe true, but y use what u dont like the sound of?
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By tbiggz Thu May 11, 2006 4:27 pm
Philly Stress wrote: It the filter at coloring sounds than doing stuff like say, filtered basslines.


Ummm.. could you repeat the question?
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By erkl Thu May 11, 2006 10:59 pm
the filter is so dope, i use it on everything i sample into that machine, its so handy to have and quick to use.. takes the digital edge away..

its one of the many reasons i love the 3k, u dont need to filter everything b4 sampling and mess with extra hardware if u dont want/need to..
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By The Maker Fri May 12, 2006 12:11 am
erkl wrote:the filter is so dope, i use it on everything i sample into that machine, its so handy to have and quick to use.. takes the digital edge away..

its one of the many reasons i love the 3k, u dont need to filter everything b4 sampling and mess with extra hardware if u dont want/need to..



Thank You 8)

By Deta!L Fri May 12, 2006 3:47 am
The Maker wrote:
erkl wrote:the filter is so dope, i use it on everything i sample into that machine, its so handy to have and quick to use.. takes the digital edge away..

its one of the many reasons i love the 3k, u dont need to filter everything b4 sampling and mess with extra hardware if u dont want/need to..



Thank You 8)


true, true, definitely a plus...but also the same reason why I prefer my 60/S950 combo (me personally that is) I think the extra time I take to send stuff over to my S950 and tweak it, ends up in something better sounding. I do wish that the 60 had the same S950 filter in it, like the 3K...man that would be heaven. It is great just to go to the filter settings and get busy and I love taking the tops off of kicks, snares, samples etc


Quick question for the 3000 heads, and I might make a seperate thread if not enough people see it to answer, but what do you guys use to timestretch? I tried using the 3K with S950 to timestretch and found that the sounds were too different for me

By dukelido Fri May 12, 2006 3:55 am
I mainly use my MPC 2000XL for time-stretching, but only because I realize that I have to stretch a sample most likely when I´m working on this machine.
To get exacter results, I stretch samples with the VP 9000.

I hardly tried to apply the timestretch function on the S 950, although I wanted to get deeper into it...
Last edited by dukelido on Fri May 12, 2006 5:29 pm, edited 1 time in total.