Ajax wrote:Just wondering if anyone here uses an ASR - 10 in conjunction with their MPC (especially the newer MPCs that supposedly have a thinner sound than the OG MPCs).
If so, do you see any benefit of sampling (or do you currently sample) through the ASR into the MPC to take advantage of what would presumably be the warmer sound of the ASR? And then do your actual sequencing in the MPC?
I use a an asr10 paired with a Roland mv8000. it's a perfect combo.
here's how I work...I sample drums from my records into the asr10 and also load up sampled drum kits on my asr10. I apply high/low pass filter, and I apply reverb (usually 44k reverb, variation 2 "short reverb" set at 15%). I then sample those drum sounds into my mv8000 in stereo. (they go through an Allen and heath x-one dj mixer, as a pre-amp). drums are now in the mv with reverb and are sequenced on the mv.
for bass, chords and melodies I use samples on the mv that are sequenced via midi from the mv. I apply dynamic effects like phaser, chorus, rotary panning etc. and lfo and envelopes to filters. that means these sounds are constantly changing. to capture these changes, I record bass/chords/melodies as 4/8/16/32 bars audio tracks into the mv. this way I capture the changing sounds of the effects and filters. if I just resampled the one single bass note/ melody note then I wouldn't get all the dynamics of the of the mv sample.
the asr10 is a very beautiful sounding machine. borrow synths drum machines, instruments from friends, rent them, buy synths with money back returns, and sample them into the asr. worship that machine like the god it is and it will perform miracles.
you're probably already on this but...see YouTube channels by daydream sound (advanced sampling on ensoniqs), snare Jordan (lots of videos of Jake one showing you the beats he makes on the asr), albatross studios (asr tutorials) and Robin Bausewein (advanced synthesis on ensoniq samplers).