ace_of_dub wrote:This is the competition now at $1500.
https://www.youtube.com/watch?v=1yKa2FUaIkk
So AKAI needs to step up their game OS wise because musicians aren't going to buy a MPK just because there is the AKAI logo on it.
Anybody would be mad at Roland if Roland left a NOTE OFF bug for more than a year on their device like on the MPC... So sure AKAI doesn't owe people anything, but it's a matter of reputation, and when you screw up, you don't get it back easily...
Well, one advantage Roland has by announcing this now is they get a jump on middle of the road buyers in the undecided category by creating an excitement cloud of smoke early before any competition announces their own keyboards for NAMM. The Roland Fantom 0 will sell well for the low price.
But the Akai MPC Key61 is not really competing with other keyboard workstations, but more relying on their own clientele fan base of MPC lovers, die hard samplist, ASR-10 lovers, sampling keyboard lovers who would love to buy a sophisticated sampling keyboard in a sample keyboard market that's been abandoned and dry for over 30 years since the ASR-10 was made.
I don't think Akai has to worry too much about sales for the Key61, as it will sell itself to a large market of people that want a self contained sampling MPC keyboard workstation. The people looking for internal sounds to compete with Roland, Korg, etc will have to either create or sample their own, or look for a module of VST, I'm sure it will have some high quality bread and butter sounds, but not on a consistent basis to compete with the big three makers. The key61 isn't meant to compete with Korg and Roland for every sound. They will give the users some pretty good sounds but overall not enough consistent high quality sounds to compete. They will offer external sound packs with higher quality sounds, and third party vendors will also offer higher quality bread and butter sounds, but Akai's aim is not a ton of bread and butter sounds to compete with Korg, Roland or Yamaha.
The goal of Akai is to create the ultimate sampling keyboard that also has tons of sounds of various qualities, but the ultimate in sampling keyboard features. And that's what I and many others are more concerned about, features in a sampling Keyboard. Every professional producer that has an MPC X or even a live may get the Key61 for what it is, and use along side their bread and butter sounds workstations. I look at the Key61 as a Akai sampling Keyboard with the power of the MPC X or greater and several VST synth engines.
I'll take the MPC Keyboard and already having the X over a Korg Kronos, Fantom, or Motif XF and I have all three. The Key61 would allow me to create a whole record with great precision to sound and midi info and recorded vocals and unique sounds not in workstations. The other three only gives me sounds in which i could get in any VST or anywhere else.
In short:
The MPC Key61 is a game changer, the Fantom and all the other sound keyboards are just another sound bread n butter board. The Key61 is for a special market, and may not be for everybody who's looking for just another workstation with high quality sounds , or people satisfied with the MPC boxes. But i'm sure the Key61 won't have a problem selling a lot of units.