
By astral_Signal
Sat Jul 08, 2017 11:22 am
Hey guys,
I used to own an MPC 1000 until recently, now I'm having withdraw symptoms big time! Software sequencers are just not the same. So, I've limited my choices to either the Akai MPC Live, or the Elektron Octatrack (probably MK2). I am more than comfortable with the workflow of the MPC, the Octatrack is completely different although I could potentially achieve the same results. I'm leaning towards the MPC as I am familiar with their products and have used them, the Elektron feels like Akai's main competitor as it offers something different and modern.
So I've gone through the manual for both units, and have seen various YouTube tutorials. These are some questions I have for the current users of the MPC Live:
- Audio/sample record metering: is the input metering system numerical and does it calculate input levels in real-time? This was my biggest gripe with the MPC 1000, the record window was a graphical bar that represents input level. It's 2017, input levels are important.
- Audio/sample record formats: I can record in stereo obviously, but can I record in summed mono LR or isolate between mono L/R?
- Audio/sample record resolution: I haven't seen the specs on the digital resolution or bit rate of the sampler? What is it and can it be altered? 16 bit/24 bit/32 bit floating @ 44.1 - 196 khz?
- Convert stereo samples to mono (summed LR, mono L, mono R) ?
- Routing audio in and out of the unit: the unit is similar to the MPC 1000 in terms of audio I/O: 1x stereo output and 4x mono outputs. So essentially 6x outputs, which is perfect for me when printing individual tracks from the MPC into my audio interface for mixdown in Pro Tools. How do you assign samples/programs/tracks to these outputs? What are the options? From memory on the MPC 1000 in the program edit I could assign it's output from there (as whole program or individual samples within the program). Is this more or less the same approach on the MPC Live or has this been expanded? Also, if I want to send an individual output to an external audio device for processing then feed that device back into the MPC on a separate track, can this still be done on the MPC Live? From memory on the MPC 1000 it was under mixer - input - through.
- Master output: Can this be adjusted internally? On the MPC 1000 I could access the master output level, and I needed to back it off to -12db as the outputs on the unit were all unbalanced. Even with a -12db master output, this got me closest to my reference level of -20 dbfs which was fed from my DAW, through my interface, into the MPC 1000 inputs, then the MPC 1000 outputs were fed back into the interface, and input levels were measured in the DAW. Has anyone performed gain staging on the MPC Live so far, and what have they determined? The specs suggest the unit has balanced I/O.
- Filter/amplitude envelope processing for layered samples on the same pad: on the MPC 1000 I could layer 4 samples on 1x pad, this was good and all but I was restricted or limited to processing options for each sample, apart from velocity and level. Please tell me that MPC Live has complete filter and amplitude processing options for each sample that is layered on the same pad??
- Step sequencing record/edit: I was running JJ OS 1 on the MPC 1000 and usually recorded everything in step edit mode. I was comfortable with it, and could make adjustments to individual steps post record which was fantastic to get chopped samples lined up the way I wanted. I read in the MPC Live manual that step sequencing record/edit is only possible with MIDI tracks. Is this correct?
- Firmware: Will the MPC Live have continued firmware updates into the future. How solid is the OS currently?
Is everyone generally happy so far with the MPC Live? Is anyone not happy with the unit so far? How is the build quality of the unit? One of the biggest issues with my MPC 1000 was the build quality, cheap components lead to constant upgrades - pads, buttons, PCB boards, etc.
Sorry for the long post, I just like to have all boxes ticked before I move on it. As I said earlier, for me its either the MPC Live or try something different like the Elektron Octatrack. I'm leaning more towards the MPC purely because I am familiar with the workflow.
Thanks for the read.
I used to own an MPC 1000 until recently, now I'm having withdraw symptoms big time! Software sequencers are just not the same. So, I've limited my choices to either the Akai MPC Live, or the Elektron Octatrack (probably MK2). I am more than comfortable with the workflow of the MPC, the Octatrack is completely different although I could potentially achieve the same results. I'm leaning towards the MPC as I am familiar with their products and have used them, the Elektron feels like Akai's main competitor as it offers something different and modern.
So I've gone through the manual for both units, and have seen various YouTube tutorials. These are some questions I have for the current users of the MPC Live:
- Audio/sample record metering: is the input metering system numerical and does it calculate input levels in real-time? This was my biggest gripe with the MPC 1000, the record window was a graphical bar that represents input level. It's 2017, input levels are important.
- Audio/sample record formats: I can record in stereo obviously, but can I record in summed mono LR or isolate between mono L/R?
- Audio/sample record resolution: I haven't seen the specs on the digital resolution or bit rate of the sampler? What is it and can it be altered? 16 bit/24 bit/32 bit floating @ 44.1 - 196 khz?
- Convert stereo samples to mono (summed LR, mono L, mono R) ?
- Routing audio in and out of the unit: the unit is similar to the MPC 1000 in terms of audio I/O: 1x stereo output and 4x mono outputs. So essentially 6x outputs, which is perfect for me when printing individual tracks from the MPC into my audio interface for mixdown in Pro Tools. How do you assign samples/programs/tracks to these outputs? What are the options? From memory on the MPC 1000 in the program edit I could assign it's output from there (as whole program or individual samples within the program). Is this more or less the same approach on the MPC Live or has this been expanded? Also, if I want to send an individual output to an external audio device for processing then feed that device back into the MPC on a separate track, can this still be done on the MPC Live? From memory on the MPC 1000 it was under mixer - input - through.
- Master output: Can this be adjusted internally? On the MPC 1000 I could access the master output level, and I needed to back it off to -12db as the outputs on the unit were all unbalanced. Even with a -12db master output, this got me closest to my reference level of -20 dbfs which was fed from my DAW, through my interface, into the MPC 1000 inputs, then the MPC 1000 outputs were fed back into the interface, and input levels were measured in the DAW. Has anyone performed gain staging on the MPC Live so far, and what have they determined? The specs suggest the unit has balanced I/O.
- Filter/amplitude envelope processing for layered samples on the same pad: on the MPC 1000 I could layer 4 samples on 1x pad, this was good and all but I was restricted or limited to processing options for each sample, apart from velocity and level. Please tell me that MPC Live has complete filter and amplitude processing options for each sample that is layered on the same pad??
- Step sequencing record/edit: I was running JJ OS 1 on the MPC 1000 and usually recorded everything in step edit mode. I was comfortable with it, and could make adjustments to individual steps post record which was fantastic to get chopped samples lined up the way I wanted. I read in the MPC Live manual that step sequencing record/edit is only possible with MIDI tracks. Is this correct?
- Firmware: Will the MPC Live have continued firmware updates into the future. How solid is the OS currently?
Is everyone generally happy so far with the MPC Live? Is anyone not happy with the unit so far? How is the build quality of the unit? One of the biggest issues with my MPC 1000 was the build quality, cheap components lead to constant upgrades - pads, buttons, PCB boards, etc.
Sorry for the long post, I just like to have all boxes ticked before I move on it. As I said earlier, for me its either the MPC Live or try something different like the Elektron Octatrack. I'm leaning more towards the MPC purely because I am familiar with the workflow.
Thanks for the read.
Technics SL-1200 MK2 / Jelco TK-850S / Jelco HS-25 / Nagaoka MP-500 / Graham Slee Reflex M / Coleman Audio M3PH MK2 / RME Fireface 800 AD/DA / Kali Audio IN-8 V2 / Akai MPC Live 2




