Moho wrote:Here's a big time saving trick,
When starting a session I go to the sampling page and turn on monitoring, now you don't have to mess about in the audio tracks page turning monitoring on or off and choosing which setting.
This is incredibly helpful. I am currently going minimal, using a Live plus a single Novation Circuit for live shows, with the Circuit synced via MIDI. I wanted no external mixer to deal with, and a single stereo 1/4 pair as my output for ease of integration with any house sound system.
Your tip lets me do that, with the 1/4 inputs on the Live now being globally monitored via the main out no matter what part of the MPC Live project I'm currently interacting with.
I've already set things up so I can do long sets with just the Live alone, using large multi-song projects.
However, being able to mix in CIrcuit material in this more streamlined way is very helpful. With both devices MIDI synced, I can easily blend sound sources from both devices, or even do smooth crossfades between devices as if they are "decks". I don't mind controlling crossfades manually using both the dedicated master of the Circuit and the Live's Q-LINK program level control in the main view.
All of this coming out of the Live's main outs, no matter what I'm doing on either device (except Live project loads) is great.