Danoc wrote:The thing is you already have 2 standalones, X And Live. Akai can spend less money improvung and updating. Like the new Air effects and background design, it looks dope and they sound pro. We need to get to 3.0 and glitch free. Akai can add things on without wasting time on a new design, time and resoures.
How do you go from machines that still have problems to a new machine? The new machine most definitely have have big problems.
Unreallystic, hypothetical, if Akai majes a new machime it will most likely sit between the X and Live price wise. Are you wiling to buy a new MPC? Say, $1,799?
I am not asking for a new MPC right now, I merely stated that it will come at some point. Adding additional effects and the such would be great, and I hope they do, but that money has to come from somewhere. If people are bailing and not buying anymore, then they either need to make an AIR store or release a new unit to "spur" sales, to continue improvements. Realistically, we can look at the Force as "releasing new hardware" and what they would do...
If they released a new standalone, it will be based off the existing platform, so they would institute fixs for the current line of MPC as they were designing the next line.
The jumping around Akai has done as you describe it, isn't REALLY jumping around...they essentially made a variant of the MPC that is better designed for live play, and the Fire was a stab at providing a controller for one of the more popular platforms that doesn't have one. They would get money from me if they did the samething for Reason.
"I" am not planning on buying another MPC at this point - even with a new release, because it won't change anything for me. There is nothing they could add on to the MPC that would make me swoon short of somehow integrating VSTs, like a partnership with Native Instruments. I don't really care much about a spec bump, sure I will always take one, but I don't personally feel limited *right now* by the MPC's limits, sure its most likely preventing us from GETTING some of the AIR synths/FX, but I am good, I can always flatten and combine samples if I need more "room".
I HAVE my personal preference for a "next step" from Akai, a cross between the MPC line and the MPK line, so I can get real keys to play the synth, and its more stage/performance ready. A MPK249+Live hybrid with additional synth engines built in and some kind of load algorithm designed to allow me to switch programs without "stopping". I don't need 32 channels or an i7 thrown in there, go down the path of an instrument that can sample.
- Unreall