Monotremata wrote:No shit, I just buy packs of Seismic Audio ones off Amazon, or run over to Monoprice's store 5 minutes away heh.. They work the same as an overpriced gold plated made from unicorn jizz Monster/Mogami/Canare/whoever cables. They're all going to die one day, why throw $50 away when you can spend $10. If its time to recable everything, like Charles said, grab a big spool of some decent shielded cable, a bunch of Neutrik jacks, and have a field day with it. If you don't rearrange things a lot, you can make your own custom lengths and tidy that shit up nice and neat!
100%. The only difference between the High and Low is the shielding of the cable and the quality of the connectors. Studios do not buy off the shelf cables because the prices would be outrageous. They build them to certain lengths, patch everything, and rarely do they remove them from gear. That's what a patch bay is for.
If a person uses 10 out and 4 in, on the MPC X using Mogami Gold it would cost $700+. Don't forget to have the turntables rewired with the same cable as well.

All EURO rack guys with a large modular setup, understands this as well. Buying the modular unit is cheap, compared to buying the proper length cables. It's crazy how many cables they go through.
Studio tip: To keep dust out of your gear connectors buy JACKCAP!