By Ton618
Tue May 16, 2023 7:23 am
Hi all. I’m preparing a new 1 hour live set on my Force. My workflow starts on Ableton Live where I prepare the main project that will be fine tuned after the transfer to the Force.
One of my concern is about the audio files level to optimize the sound in the live set. In my experience the best strategy is to keep the peak level of the whole tracks around -6dB to have some room to manage dynamic equalization, compression, limiting on the master channel (or sub-mix) being more versatile when performing live. It’s a process similar to the mastering but oriented to the live sound.
Have anyone else a similar strategy? Which is your experience/suggestions about this matter?
Thanks
One of my concern is about the audio files level to optimize the sound in the live set. In my experience the best strategy is to keep the peak level of the whole tracks around -6dB to have some room to manage dynamic equalization, compression, limiting on the master channel (or sub-mix) being more versatile when performing live. It’s a process similar to the mastering but oriented to the live sound.
Have anyone else a similar strategy? Which is your experience/suggestions about this matter?
Thanks