By
classic
Tue Oct 04, 2005 12:39 am
The key is filtering & effects I do this all the time, you cant play a dry ass synth over a gritty sample and expect it to match or vice versa..
you have to filter the synths so it has the same tonal qualitity as the sample(or vice versa). That way it matches and blends as one. i aint gonna go into detail casue it took a while to develope the exact tecniques but i can say a telephone filter on a piano (as will as other things) works wonders to give it that gritty feel. ALso u gotta make sure what u play swings with the sample. U cant play a quantized piano over a heavly swinging sample and expect it to fit. That ish ends up Sounding corney as hell
To hear exaclty what im talking about you go to my page(click the sig) an listen to the follwing beats .
Big ben- played the piano and strings over guitar sample
c-fire-played a piano over a chopped sample and filtered it to match
claud-- playe some synths,organs,piano over a chopped sample(EQ'ed em differntly)
Its all about how u lay it over the sample there is no one way casue every sample is differnt so you gotta approach it differntly. But IMO the key is filtering and effects
Ohh on more thing Like penfold said, make sure you tune your sample so you can play over it. THis is key man, without this you wont have shi*t. DO this before you do any chopping etc... makes life easier.
hope that helps
class....