Discuss the various methods you use in music production, from compressor settings to equipment type.
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By The Grublet Sun May 16, 2010 5:04 pm
I AM GOING TO FINALLY DO IT... SAMPLE ONE SAMPLE INTO THESE MACHINES...

MODS... STICKY THIS!!!

MPC 1000
MPC 2000XL
MPC 3000
MPC 5000
AKAI S2000
AKAI S6000
SP-12 (EMU SYSTEMS)
MIRAGE (ENSONIQ)
EPS 16+ (ENSONIQ)
ASR 10 (ENSONIQ)

WILL BE ADDING MPC 1000 AND 4000 AS SOON AS POSSIBLE.


ANYONE HAVE SUGGESTIONS FOR WHAT THEY WOULD LIKE TO HEAR (NEXT 20 MINUTES) DRUM BREAK? SAMPLE?

I WILL BE ONLY SAMPLING VINYL.
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By The Grublet Sun May 16, 2010 5:28 pm
sample a james brown something or rather... also the amen break. how about waltz of the flowers too... some bob james, a bit of barry white and anything else you can think of.


PICKED FUNKY PRESIDENT BREAK



(your mom cared.) cumguzzler.
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By The Grublet Sun May 16, 2010 6:28 pm
I have thus far figured out that MONSTER cable 1/4 inch instrument cables sound like shit :/


Everyone sounds exactly the same thru it.

Sampled flat from vestax, mono...

retarded.

start over.
:roll:
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By peterpiper Sun May 16, 2010 11:02 pm
sinesweep 20-30000 Hz (duration 2,5 sec so it fit in the 1200) (just realized you havn't the 1200 but the 12 :) )
white noise

No, I guess you wont have it on vinyl ;)

peace

I you want you can also use the sounds I've used for my comparison. I explained how I did it and where the sounds come from in the pdf thats included


Original Samples
http://www.divshare.com/download/13799866-e7a

MPC2000 Classic
http://www.divshare.com/download/8588762-c50

Akai s950
http://www.divshare.com/download/8580950-a2f

Casio FZ1
http://www.divshare.com/download/14906378-a3e
peace
Last edited by peterpiper on Sat Dec 17, 2011 10:20 pm, edited 1 time in total.
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By The Grublet Tue May 18, 2010 11:50 pm
500/1000/2500 sound exactly the same. Same ad/da converters


correct.



got busy... soon
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By punchdrunk Wed May 19, 2010 4:31 am
wouldn't be a bad idea to also sample into each machine pitched up a certain amount going in (playing a 33rpm record at 45 rpm), and then pitching it down when you play back the sample. i know the sp12 will kill everything in comparison with the ringy aliasing that everyone is familiar with, but it would still be interesting to hear how the other machines sound doing this technique in comparison.

if not pitching up and down for all of them, at least hearing the ensoniq samplers pitching up/down in comparison to the sp12 would be cool.


either way, always entertaining to hear some more comparisons between machines i'll probalbly never get the chance to own... :lol: