
By dubmunkey
Thu May 13, 2004 2:10 pm
but i'd bet he has a better record collection than most of the peeps here so i dont think its all to do with what vinyl you own.....
greg
greg


jpeg wrote:Some say that DJ shadows goes thru alot of trouble to make elevator music.
I kinda agree

dubmunkey wrote:but i'd bet he has a better record collection than most of the peeps here so i dont think its all to do with what vinyl you own.....
greg

MPC-Tutor wrote:I thought the whole point of electronic/dance/hip hop was that there are no rules - surely we leave that to the classical musicians?
Toecutter wrote:I have to disagree, he goes through alot of trouble to make ELEVATED MUSIC. Listen to UNKLE "Psyence Fiction". A classic, and knows no boundaries. GUNS BLAZING: DRUMS OF DEATH PT. 1 is something I haven not heard in hip hop BEFORE it came out OR now, years AFTER. Time signatures are adjustable for a reason... rules are guidelines, not set in stone.


Sketchman wrote:Too bad that dj shadow makes instrumental music while hiphop producers make tracks that are supposed to give rappers a possibility to actually rap over them!
So something that sounds good in an instrumental track, is not sure to work with a vocalist.




dubmunkey wrote:digi your exactly right- it doesn't matter what the actual tuning system is whether its a normal western, a pure tuning, an arabian tuning or one of those wierd ones that wendy carlos uses its the fact that everyone has to play in the same tuning when playing together and therefore that is one rule of music....
fair enough you could have a piano in normal tuning and a guitar in a different tuning playing at the same time but it wont sound very good...
greg
