Dz74 wrote:Listen jo, I been messing with Pro-Tools for a minute when it first came to M-Audio Edition and like I said. Pro-Tools even though is a good program but Studio One is a better DAW IN MY OPINION.
I like the EQ and Compression settings that you don't have to do alot of Equing and compression and limiting to get the vocals sounding up to par nah mean? The program was designed to meet proffesional needs and is more quicker and on the go than Pro-Tools so I get work my mixes more complete faster than with Pro-Tools.
Like I said, I ain't hating on Pro-Tools but Pro-Tools was jus too slow and not as effecient for me especially with Studio One I could edit the vocals quicker without having to export it to another program just to clean it up at parts.
The only two things I don't like Studio One is how the effects are assigned to the track mixer instead of doing them idividually and no pitch shift opition but you can still add your VSTs and such so it's overall a great program. If you get a chance just to peep it instead of being a heard head jocking the industry, give it a shot.
Don't be so quick to judge a program when you ain't even tried it yet.
1. Doesn't that depend on the quality of the recorded vocals in the first place? (rhetorical question)
2. Workflow is a personal thing, it isn't tangible, it is also project specific.
3. It sounds like every other DAW known to man, but without a pitch shift feature, which is common place in the majority of others.
4. Why would anyone "peep" a program that doesn't have the features they already use in their current DAW?... I'm more than happy to "jock" the industry, and have a more efficient program... but thankyou for the heads up, you've given me another set of reasons to continue with Ableton.