It can be really, really hard, depending on the tape.
First thing first, record at the highest possible tape speed. This is the most effective, I have found.
Gating is probably the most effective POST recording - you only let the noise through when there is a louder sound present, hoping the sound 'masks' the noise.
Digital noise-reduction can introduce that mp3/warbly artifact if used too aggressively.
If you are on a mac, there is a plugin called 'Airwindows Density2' (http://www.airwindows.com/) that sometimes works magic on tape hiss. It is by no means a golden solution, but it has helped me sometimes when nothing else will.
Having said all that, a 4-track recording on cassette is probably the noisiest source you can create right now, so just get used to it and accept it to an extent. For me, the benefits of tape-compression + overdrive outweigh the problems of noise inherit in the technique.

By peterpiper
Tue Feb 01, 2011 1:45 am
It also depends on the Tape you are using (no old Tape that already is overdubbed 20 times. ), the recording level(gains set in order of the signal flow so the gain on the 4Track dont need to be turned up much) and of course the machine itself (clean?, demagnetized and adjusted heads? sure that the amp stages are ok?)
peace
as for the 36 chambers:
http://forums.undergroundhiphop.com/pri ... nID=817240
peace
as for the 36 chambers:
http://forums.undergroundhiphop.com/pri ... nID=817240

By nogginj
Tue Feb 01, 2011 2:15 am
Nobody said it was impossible.
Also that link (very nice, peterpiper) kind of reinforces what I said...high speed tape + fat tape is one of the best ways to keep tape noise down.
I'm sure a lot of knowledge went into making that record sound good, so don't think you are going to find a one-size-fits-all solution (and you KNOW they weren't using audacity's noise reduction ;]). A combination of all the techniques mentioned so far will get you close. A bit of love for tape's limitations wouldn't hurt either.
Also that link (very nice, peterpiper) kind of reinforces what I said...high speed tape + fat tape is one of the best ways to keep tape noise down.
I'm sure a lot of knowledge went into making that record sound good, so don't think you are going to find a one-size-fits-all solution (and you KNOW they weren't using audacity's noise reduction ;]). A combination of all the techniques mentioned so far will get you close. A bit of love for tape's limitations wouldn't hurt either.

By Fung45
Fri Feb 04, 2011 9:55 pm
izotope is a decent denoiser if used sparingly. Look into waves plugins, izotope, flux rennovator, ceadar plugins. If I had the cash I'd get a flux bundle, really nice plugins, very powerful and transparent.
By briskisgoodforu
Fri Feb 11, 2011 9:38 pm
If you track your different drums sounds seperately, digital gating really cleans it up, also it can sometimes destroy your transients and or cut off your tails too soon though
soundcloud.com/briskisgodforu

By Zukan
Sat Feb 12, 2011 12:23 pm
Sound Soap, X-Noise and many that are the same will remove white noise as they can create a noise profile by playing a couple of seconds of the tape noise and then negative imprint this and remove it.
If you are always going to have this problem then it makes sense to get a noise filter like the Drawmer DF 330 and have the outputs go to the tape.
If you are always going to have this problem then it makes sense to get a noise filter like the Drawmer DF 330 and have the outputs go to the tape.
By lazyE
Sat Feb 12, 2011 6:50 pm
i have been using izotope RX it has a feature called the `denoiser`
i`ve been using it to clean up soundclips from movies to use as samples,
basically you play it a bit of the `noise` your trying to remove and it isolates that frequency as much or as little as you want to remove it.
between that and a good eq you can pretty much sort out any hum or hiss.
but its like anything, use it sparingly or it can sound shite.
i`ve been using it to clean up soundclips from movies to use as samples,
basically you play it a bit of the `noise` your trying to remove and it isolates that frequency as much or as little as you want to remove it.
between that and a good eq you can pretty much sort out any hum or hiss.
but its like anything, use it sparingly or it can sound shite.
By lazyE
Sat Feb 12, 2011 6:58 pm
only thing i noticed is that it really hammers your computers processor!
but my comp isnt a flyer, its 2.8ghz but only 1G of ram, so i find it best to run as little else as possible when using RX.
it works on its own though so u dont need it in your DAW
http://www.youtube.com/watch?v=9wtEyErZ1dQ
but my comp isnt a flyer, its 2.8ghz but only 1G of ram, so i find it best to run as little else as possible when using RX.
it works on its own though so u dont need it in your DAW
http://www.youtube.com/watch?v=9wtEyErZ1dQ

By ceetheproducer
Sun Feb 13, 2011 6:28 pm
Zukan wrote:Sound Soap, X-Noise and many that are the same will remove white noise as they can create a noise profile by playing a couple of seconds of the tape noise and then negative imprint this and remove it.
If you are always going to have this problem then it makes sense to get a noise filter like the Drawmer DF 330 and have the outputs go to the tape.
i 100% co sign on X-Noise
use it all the time on samples with noise/white noise
it totally removes noise with minimum damage to the original sound
it's easy to use/control exactly how much noise you remove
and even has a spectral/visual analysis
it's a Waves pluggin so its not cheap (unless you get it from special places)
but it's the best way to remove noise i have found (and i have tryed many other ways)

