By DokBrown
Fri Oct 08, 2021 7:03 pm
SOFTWARE - STEM separation tools – vocals, drums per attack MAG
Articles like this remind me why ATTACK mag stays in my browser bookmarks. I’m not into expensive software but I may have to reconsider. I don’t think the MPC will ever be this good; Hardware has its limitations. At $99, ripX is not gonna break me & its desktop-based [instead of cloud]. I haven’t had much luck with my MPC LIVE’s isolator tools. My default template has the AIR KILLEQ on the master output but that’s more of a DJ FX than a stem creator. Am I missing something ?
This is definitely key if you want do unique DJ blends . . . . .
https://www.attackmagazine.com/reviews/ ... ion-tools/
2 labels
$100
https://hitnmix.com/remix-software/
$350 - VSOP
https://hitnmix.com/audio-manipulation/
this music cloud software trend totally misses me ;-(. The only music cloud software I’ve considered is SPLICE & soundcloud.
https://www.attackmagazine.com/reviews/ ... borations/
Articles like this remind me why ATTACK mag stays in my browser bookmarks. I’m not into expensive software but I may have to reconsider. I don’t think the MPC will ever be this good; Hardware has its limitations. At $99, ripX is not gonna break me & its desktop-based [instead of cloud]. I haven’t had much luck with my MPC LIVE’s isolator tools. My default template has the AIR KILLEQ on the master output but that’s more of a DJ FX than a stem creator. Am I missing something ?
This is definitely key if you want do unique DJ blends . . . . .
https://www.attackmagazine.com/reviews/ ... ion-tools/
2 labels
$100
https://hitnmix.com/remix-software/
$350 - VSOP
https://hitnmix.com/audio-manipulation/
this music cloud software trend totally misses me ;-(. The only music cloud software I’ve considered is SPLICE & soundcloud.
https://www.attackmagazine.com/reviews/ ... borations/
I dig GROOVEBOXES & essential hardware.
Catch me in LA, DC/BALTIMORE, south FLORIDA somewhere in my beach chair . . . . . . .
Catch me in LA, DC/BALTIMORE, south FLORIDA somewhere in my beach chair . . . . . . .