
By skalawa
Mon Sep 13, 2004 10:02 pm
i just want to know the phycology behind this.
i noticed in tht roca fella video, there was no computer in sight
also the beatmakers video, there was the cmputer used for a tape deck, and not part of the beat making process, also tht dude who made tht beat from the sesame street sample, the alchemist, also no computer. when i read the gear of the major producers, they dont seem to have a computer in sight.
i remember the first time i went to a major label to shop my beats, btw it was on 24 track, after the first 30 secs, he looked at me and said, tht is a computer beat, and it just not holding any weight my friend. sorry..
it was good, but the instruments werenot punchig.
i defended it, and he said yeah what ever, i have been in this bussines for a long time, and i know a computer when i hear one.
embarrased as ever, he then escorted me to the labels studio. which is a no no, but he said i gotz ballz and detrermination, so he will give me a tour.
oooh my f**** goodness. the acostic sponge panel alone with curtains i couldnt even afford.
they have nothing but akai and emu samplers, with loads and loads of hardware modules. and of course the mpc 2000xl.
he then goes, as you can see, there are no computers in here for sounds, its all hardware.
ok guys, tell me, in your humble opinions, does it really makes sense as to buy, hardware modules. as opposed to softsynths/softsamplers/romplers.
i checked out the price of a roland jv 2080. this is like yearzz old, and it was going for like 270 pounds. the expansion cards are like 130 pounds
geeeez, tht rediculous price for such old technology.
with other modules like fantom, or triton extreme going for like 1500 pounds. why go with such large, space hogging, eventually played out sound, modules? maybe its because your music will have tht association of all those records tht have "air play" so ppl can accept it easier ?
when you could cop like giga sampler and or any other software sampler, and buy the sample cd, of the instruments, like the proteus, triton, trintiy, and roland jv series, for like 20 pounds and load them in a soft synth.
ok i know the d/a wont be the same, but your average joe not gonna tell the difference.
but you would "effectively" have the "same" instruments somewhat.
and you wont have to keep up with every new module tht is released just to get one keyboard sound from a 1000, or a particulr horn sound.
spectrasonics, run over these harware at lightning speed. totally run circles around them.
the bass module, and atmosphere, has so much expression and life, its amazing. also fxpansion bfd drum module 2 dvds of programs, i dont think you can get any closer to a real drum kit than tht, okay they are like 5+ gigs worth of program, but hard drives are cheap.
playing devils advocate here.
let me know ppl. in depth what u think,
i noticed in tht roca fella video, there was no computer in sight
also the beatmakers video, there was the cmputer used for a tape deck, and not part of the beat making process, also tht dude who made tht beat from the sesame street sample, the alchemist, also no computer. when i read the gear of the major producers, they dont seem to have a computer in sight.
i remember the first time i went to a major label to shop my beats, btw it was on 24 track, after the first 30 secs, he looked at me and said, tht is a computer beat, and it just not holding any weight my friend. sorry..
it was good, but the instruments werenot punchig.
embarrased as ever, he then escorted me to the labels studio. which is a no no, but he said i gotz ballz and detrermination, so he will give me a tour.
oooh my f**** goodness. the acostic sponge panel alone with curtains i couldnt even afford.
they have nothing but akai and emu samplers, with loads and loads of hardware modules. and of course the mpc 2000xl.
he then goes, as you can see, there are no computers in here for sounds, its all hardware.
ok guys, tell me, in your humble opinions, does it really makes sense as to buy, hardware modules. as opposed to softsynths/softsamplers/romplers.
i checked out the price of a roland jv 2080. this is like yearzz old, and it was going for like 270 pounds. the expansion cards are like 130 pounds
with other modules like fantom, or triton extreme going for like 1500 pounds. why go with such large, space hogging, eventually played out sound, modules? maybe its because your music will have tht association of all those records tht have "air play" so ppl can accept it easier ?
when you could cop like giga sampler and or any other software sampler, and buy the sample cd, of the instruments, like the proteus, triton, trintiy, and roland jv series, for like 20 pounds and load them in a soft synth.
ok i know the d/a wont be the same, but your average joe not gonna tell the difference.
but you would "effectively" have the "same" instruments somewhat.
and you wont have to keep up with every new module tht is released just to get one keyboard sound from a 1000, or a particulr horn sound.
spectrasonics, run over these harware at lightning speed. totally run circles around them.
the bass module, and atmosphere, has so much expression and life, its amazing. also fxpansion bfd drum module 2 dvds of programs, i dont think you can get any closer to a real drum kit than tht, okay they are like 5+ gigs worth of program, but hard drives are cheap.
playing devils advocate here.
let me know ppl. in depth what u think,
My responses are limited
therefore you have to ask the right questions.
therefore you have to ask the right questions.







