Cockdiesel wrote:I’m running my samples into a crossover and resampling them into a sp1200. I program the sp1200 and Then I either process the bus or each hit like I mentioned with the heat before or in parallel with my mixer. I run my mixer into a Drawmer 1968 with tc finalizer (96k) on insert. Mostly analog heat on the main of mixer, I like to sweep things in and out into the Drawmer. I’m really interested in the individual track sound sculpting with analog filter if you can tell but not sure how to approach it. It’s why I’m here asking.
I mainly use moog delay pedal for my send. Sometimes h9 but I prefer that on the outputs of the live.
I smash that into a limiter(dbx) after just barely doing anything.
I start my sampling before the crossover with eq (pultec clone) into limiter (1176).
I’m trying to incorporate the reel to reel I found into this after the Drawmer. But there’s some I need to learn about the reel to reel.
No computers besides the original sound design. This system is newer to me and still learning but I really can stand the computer besides using ableton like a Roland 404 or a quick final mix.
I see. You're going to either go euro rack, 500 series, individual desktop pieces, or mixing console with modular channels.
