By Lumi
Thu Jun 04, 2020 4:52 pm
JeriKo Jackson wrote:And no, I'm not buying an X. That JJOS 2500 got me feeling spicy.
There is no better time for me than now. It is my strong belief these new joints won't stand up over time and should they manage to, they won't hold their value. My unit is in good shape but I have owned it since June 2017 and it's already discontinued.
I got mine for $1599 AUD. Right now the One is selling here for $1450and on top of that the mk2 live is preordering at $1850. So I'm in that sweet spot to get my money back
Truth is I never loved the Live. The layout is meh and touch screen interaction is required. That's fine for utility but for spontaneity and performance it is not ideal. No power user ever would have designed it this way.
The enclosure is depressing and along with the pad rubber a dust magnet like no other gear I ever owned.
Aesthetics aren't everything...
of course function is the most important factor, BUT There are things that are still clunky af. Maybe 3.0 fulfills all the potential. There is absolutely so much to love about the scope of the new MPC ecosystem. I have used the machine in ways I never expected as well as learned new ways to approach sampling and sequencing. Also, recording instruments and especially vocals, right to the unit, punching in overdubs. Killer.
I'll be rocking it for a little while longer. I have to do a bunch of auto samplerMaybe when this cv19 is over with and I can fly back home I'll pick up a ONE on the cheap.
You will buy another one in a year.
Maybe mk2 or One.


and on top of that the mk2 live is preordering at $1850. So I'm in that sweet spot to get my money back 


fkn corny "Hurry up while batteries last"
. 

True dat. When you have a person go "BYE" we know that's shade, without being vulgar. Surely tried that with me but lm not having it. If people wanna keep investing in Akai with the new MPCs go ahead lm not doing and we both have rights to do what we want in our own studios.