Support and discussion for all of Akai’s modern standalone MPCs including the MPC X / X SE, MPC Live 1, 2 & 3, MPC One / One+, MPC Key 37/61.
By B-Wise Tue Apr 18, 2023 5:51 pm
Gearwacz wrote:
I used Google to look up "the curse of knowledge", apparently, it also works for looking up sidechain compression and Mother Ducker.

I guess my suggestion for beginners is to try your best to answer your own questions first, if possible. Google search, the MPC Bible, the MPC User's Manual, YouTube, searching past forum posts, etc. There's a wealth of resources that can help you get to proficiency with the MPC, you just need to tap into them.

This thread is for beginners so if any workflow tips you offer requires looking something up it kinda defeats the purpose. Nice how you criticized my post but didn't offer any workflow tips. You could've did both, but that's cool at least you learn what the curse of knowledge is :nod:
By B-Wise Tue Apr 18, 2023 6:27 pm
hyena wrote:well, in my more than a decade long experience as sound design teacher i know that young people usually learn what sidechain compression or ducking is even before knowing how a compressor works, especially in the field of dance music, it's such a popular technique. but mother ducker can give the impression of being bad for the job if you use the "wrong" (or untreated) kick...


Why assume that only young people are beginners & that anyone that's making dance music knows anything about how to make it. They're beginners not intermediates. If you've been a sound design teacher for the last 10 years chances are most of the young people would've had already did a lot research like watching YouTube before they signed up to your class, but what about all the actual beginners? You don't think that sidechain tip is more than just a bit advance for a beginner?

Cool tip though, but try to think back when you didn't know anything about making music then reread that tip from the mindset of a noobie that's doesn't know what compressor/ducking/sidechain is & see if it still makes sense. HELL NO! :lol: Which is why I mentioned the curse of knowledge, not to be a wise ass, but because it's so common with highly knowledgeable people like you - a teacher with at least 10 yrs of experience.
By HouseWithoutMouse Tue Apr 18, 2023 8:46 pm
My advice for beginners is: keep trying, keep performing and releasing. IMO the single most effective factor in learning music and music production is public performance. If you have an actual "gig" of some kind, it forces things in order somehow. But if you don't have a real gig, then there's no real purpose and it doesn't really matter if you get something done or just watch more Youtube. If you know about sidechain compression but you don't release and you don't have a gig, then how does knowing about sidechain compression make any difference?
By B-Wise Tue Apr 18, 2023 10:16 pm
HouseWithoutMouse wrote:My advice for beginners is: keep trying, keep performing and releasing. IMO the single most effective factor in learning music and music production is public performance. If you have an actual "gig" of some kind, it forces things in order somehow. But if you don't have a real gig, then there's no real purpose and it doesn't really matter if you get something done or just watch more Youtube. If you know about sidechain compression but you don't release and you don't have a gig, then how does knowing about sidechain compression make any difference?

This is for workflow suggestions for beginners that may not even be at the stage for gigs or that may not even want to play live, but just want to learn how to use the MPC. What workflow tips can you offer?
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By Lampdog Wed Apr 19, 2023 4:23 am
Make beats while reading the manual. Things you read become more clear as you actually DO it. Once it starts to make sense, start experimenting and combining options and features to come up with your own methods.

A friend on 2k classic had no efx card, he would use 16 level volume and tap out delays.

Because something is not there, doesn’t always mean you can’t make it happen another way. Learn what you CAN do and live within that. Don’t get bogged down with 8 million questions before you even try and/or start.
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By hyena Wed Apr 19, 2023 6:37 am
B-Wise wrote:
hyena wrote:well, in my more than a decade long experience as sound design teacher i know that young people usually learn what sidechain compression or ducking is even before knowing how a compressor works, especially in the field of dance music, it's such a popular technique. but mother ducker can give the impression of being bad for the job if you use the "wrong" (or untreated) kick...


Why assume that only young people are beginners & that anyone that's making dance music knows anything about how to make it. They're beginners not intermediates. If you've been a sound design teacher for the last 10 years chances are most of the young people would've had already did a lot research like watching YouTube before they signed up to your class, but what about all the actual beginners? You don't think that sidechain tip is more than just a bit advance for a beginner?

Cool tip though, but try to think back when you didn't know anything about making music then reread that tip from the mindset of a noobie that's doesn't know what compressor/ducking/sidechain is & see if it still makes sense. HELL NO! :lol: Which is why I mentioned the curse of knowledge, not to be a wise ass, but because it's so common with highly knowledgeable people like you - a teacher with at least 10 yrs of experience.


heehe , you are right, a bit too advanced for this thread. mmm usually it's young people but that's not always the case, and usually people approaching from an absolute beginner standpoint already have watched tutorials, read stuff online, developed a minimum vocabolary... anyway, you are right, lets keep this thread to a more basic level.
By HouseWithoutMouse Wed Apr 19, 2023 8:26 am
B-Wise wrote:This is for workflow suggestions for beginners that may not even be at the stage for gigs or that may not even want to play live, but just want to learn how to use the MPC. What workflow tips can you offer?


The workflow tip was: focus on delivering a result. What there must be. Instead of doing things just because they're possible or you heard that "pros" do something like that. You don't just "use the MPC", you use it FOR SOMETHING. There is no workflow without an outcome.

To put yourself in this situation, where there is a clear outcome, publish your stuff somewhere. Youtube, Soundcloud, something. Under a pseudonym if you want, as long as you know somebody might hear it. Make someone listen to it.

In the Suzuki music teaching method, there is always lots of performances where other people listen to the student playing. Deliberately put yourself in that situation, and then your work has somewhere to flow.
By B-Wise Wed Apr 19, 2023 9:05 am
B-Wise wrote:This is for workflow suggestions for beginners that may not even be at the stage for gigs or that may not even want to play live, but just want to learn how to use the MPC. What workflow tips can you offer?


HouseWithoutMouse wrote:The workflow tip was: focus on delivering a result. What there must be. Instead of doing things just because they're possible or you heard that "pros" do something like that. You don't just "use the MPC", you use it FOR SOMETHING. There is no workflow without an outcome.

To put yourself in this situation, where there is a clear outcome, publish your stuff somewhere. Youtube, Soundcloud, something. Under a pseudonym if you want, as long as you know somebody might hear it. Make someone listen to it.

In the Suzuki music teaching method, there is always lots of performances where other people listen to the student playing. Deliberately put yourself in that situation, and then your work has somewhere to flow.


"The workflow tip was: focus on delivering a result. What there must be" I don't get this part.

None of this is "MPC" workflow tips, but general to music advice which is cool but it should be on it's own Thread....At least that's what I think this thread is about based on the first post.
By B-Wise Wed Apr 19, 2023 9:17 am
hyena wrote:heehe , you are right, a bit too advanced for this thread. mmm usually it's young people but that's not always the case, and usually people approaching from an absolute beginner standpoint already have watched tutorials, read stuff online, developed a minimum vocabolary... anyway, you are right, lets keep this thread to a more basic level.

:lol: It's all good, I'm just look out for the new guy at the job that's doesn't know anything about this strange place called MPC beat making lab. If I'd read that back in 2002 when I first started making beats I would've been like :hmmm: welp, I guess I'll try painting :cry: (RIP Bob Ross)
By HouseWithoutMouse Fri Apr 28, 2023 11:15 pm
With an MPC, you get a whole universe of things to explore. Endless possibilities. If you have no purpose, no goal and limitations, you can spend the rest of your life trying out things. But if you have a "gig", something where you have to deliver a concrete result in a limited and known amount of time, it puts things in order and in perspective. Order instead of chaos. You need a delay effect... lots of different options are offered, but if you have only ten seconds time to pick one, you'll have to make up your mind! No undo, get it done. Etc. You focus on what there MUST BE, and behold, there is order, priority and purpose.

When talking about any workflow, there is always an idea of an outcome. The purpose of work is to get a result. "Get things done"... But if you aren't really sure WHAT you MUST get done, then what workflow are you even talking about?
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+1

By Lampdog Sat Apr 29, 2023 12:39 am
HouseWithoutMouse wrote:When talking about any workflow, there is always an idea of an outcome. The purpose of work is to get a result. "Get things done"... But if you aren't really sure WHAT you MUST get done, then what workflow are you even talking about?

IMO, this is what “workflow” means, and most use it wrong when just bumping their gums.