Forum to discuss all matters relating to the MPC1000 and MPC2500 operating systems created by 'JJ' (all versions).
By JillSandwhich Wed Sep 10, 2025 5:40 am
The only other mpc I've used the 8 outs on was the 2000 classic and the output of the individual outs when I plugged it into my mixer was inaudible until I turned up the gain on the mixer. On my 2500 when I use the individual outs the level is already pretty loud when the gain is turned all the way down on my mixer. Is the signal going out of the individual outs supposed to be completely silent or should It already be at a decent level?
(I'm thinking something was wrong with the 2000 classic)
By Moot Fri Sep 12, 2025 4:23 am
Same for me on the 1K, the mono outputs run quite hot so I just lower the volumes i(n the program menu) of the sounds running outside of the main stereo outs.

Only really using those for external FX routing for a few sounds these days though, switched to track mutes rather than using a mixer.
By Moot Sat Sep 13, 2025 2:48 am
I play live gigs with the MPC 1000 & like to have separate tracks / channels for the different elements in my beats - Drums / Bass / Keys & samples etc. So I used to use a small 6 channel mixer with the keys & samples (mostly stereo files) going out the main outs, then routing drums & bass through outputs 1 & 2 respectively.

But as I travel for gigs a lot, I figured a better / easier / more portable way to do it would be to just use tracks mutes - Drums track 1, bass track 2, keys / samples track 3 etc. I picked up a cheap little midi hub box to connect an old Akai LPD8 I had knocking around to the MPC midi in, to control the track mutes, using the LPD pads in toggle mode. I actually sounds better quality wise having everything going out the main stereo out to the desk, rather than using the extra mono outs - plus it's more efficient for quick tight drop outs for various elements such as just dropping out the drums on the last half a bar of a sequence. The track mutes also mute the MIDI data rather than the audio, so if I drop out & mute some keys with delay FX on, the mute will stop the samples being triggered but the delay will still ring out, which is the way I like it personally!

I still use an extra out sometimes for aux FX, using an old Roland / Boss Space Echo pedal, if I'm doing some dub or psychedelic style shit! ;)
By Moot Sat Sep 13, 2025 5:52 am
Quite a range! I'm mostly a hip hop head, but have multiple live sets to dig from. I'm in two separate duos, one sample based old skool boom bap with an MC, & another more soul & jazz based with a singer. Then I have a bunch of solo beat sets ranging from lofi hip hop style, through to dub & more upbeat electronic beats & breaks.
By Moot Sun Sep 14, 2025 3:01 am
JillSandwhich wrote:Sick, anywhere i can hear your stuff?


I've a few little clips up I made for gig booking purposes :

Jazzy boom bap : https://youtube.com/shorts/h2AC2YQF4-4? ... Z1D9Du0743

Dub : https://youtube.com/shorts/ldtX9YJKqf0? ... IaAhMwIGxg

& some horribly documented live footage from a few years back but just uploaded a moment ago :

https://youtube.com/shorts/rwCotD4KJCs? ... lyGi7zVYT1

And most of my studio stuff up in here :

https://mute-speaker.bandcamp.com/
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By hyena Sun Sep 14, 2025 6:08 pm
Moot wrote:
JillSandwhich wrote:Sick, anywhere i can hear your stuff?


I've a few little clips up I made for gig booking purposes :

Jazzy boom bap : https://youtube.com/shorts/h2AC2YQF4-4? ... Z1D9Du0743

Dub : https://youtube.com/shorts/ldtX9YJKqf0? ... IaAhMwIGxg

& some horribly documented live footage from a few years back but just uploaded a moment ago :

https://youtube.com/shorts/rwCotD4KJCs? ... lyGi7zVYT1

And most of my studio stuff up in here :

https://mute-speaker.bandcamp.com/


very cool stuff Moot!
By JillSandwhich Mon Sep 15, 2025 8:30 pm
How you guys handle your drum breaks when you sample? You sample with your mixer in stereo or mono? I really only sampled in the 2000 classic with my dj mixer switch on mono and I feel like it made my drums sound kinda hollow. I've been either collapsing just the right or the left into mono in whatever way is convenient on the 2500 and I feel like it makes drums sound not as dead and hollow or "mono" sounding to me anyway.
By Moot Mon Sep 15, 2025 10:45 pm
For drums my usual method is to chop an old break (I have a big folder on my CF card full of drum breaks batch converted to mono) and then have a kick, snare & hat (at least one of each) to layer with it - for the kick I generally use a deep 808 style which I'll run through the LPF to make a deep low punch to beef up the break.

The bus EQ & compressor make a big difference for glueing the mix together & giving it all a suitable punch & kick!