Dr.Foo wrote:first of all you need to be educated to debate, Im 100% certain you are not, based solely on the asinine things you say.
I dont get it?? there is no help or guidelines for how to start out mixing songs down? you are so full of ****.
yeah, you know more about recording gear then me what do you want a cookie?
I do this as a hobby...
Hahaha. You don't stop, do you?
1. I think that my posts PROVE my superior intellect. Plus, you won't find a gaggle of misspelled words littering my posts - like yours. I'll challenge you anyday in a contest of mindpower. I shut down geeks like you DAILY.
2. Reading comprehension is obviously NOT your strong point. I said that there is no such thing as "basic" mixdown for ME. I guess you didn't understand that either. I tried to give you the benefit of the doubt with that one, since you're from MIT and all, but....
3. Know more than you about GEAR? Ehem, it's not just gear playboy.
4. You do this as a hobby - MY POINT EXACTLY. My advice is aimed toward those who are looking to make music a CAREER.
The only people that I'm "talking down" to are the thick headed wannabees.
D-Samp -
You're making yourself look pretty stupid...
Insured hearing? THAT'S HILARIOUS!!! Just FYI - I had a hearing test a few months ago and the doctor started calling me Steve Austin afterwards.
EVERY studio in Los Angeles has a spare box of NS-10 replacement woofers, at least. Most even have spare drivers. NS-10's take less than five minutes to fix. Imagine this (if you can). Your studio has booked a client that's paying $1200 a day for your room, and during the session the engineer blows a $20 NS-10 woofer (happens all the time). Are you gonna tell him to wait until you order parts, or call a Yamaha rep to come out before he can continue to work? Hell no!!! The assistant (or in-house tech) will be on the case and have your problem fixed within minutes. So your statement about "cheaper" is null and void. Call ANY major facility in LA and ask them if they repair NS-10's in house. As a matter of fact, call ANY major facility in LA and ask them about ANYTHING that I have stated on this forum.
My Behringer comment was about gear for the RECORDING STUDIO, not the stage. Behringer gear performs terribly in a critical listening environment. Performers use all kinds of stuff on stage. Live sound and FOH is not my thing. I don't do it anymore, but I do have experience there as well (FOH at Indiana State Fairgrounds - 20,000 people).
I'm not a writer. I am a heavy metal guitarist originally, but I don't do any music for rap. I just happen to be (blessed) very good at recording and mixing it. Check my post with the pictures under the "Pro Tools" thread. Then you can put up the pictures of you in
your professional environment. I'm not pretending to be a teacher. You're pretending to be an engineer, though. You're a runner or maybe an assistant. That's what you mean by "fluffing" engineer right? How can that be if you're an instructor?