Talk about the music biz - marketing, promotions, contract law, copyright etc...
By alan623671 Tue Feb 12, 2008 6:39 pm
What's going on people.

I'm in my final year at university, studying music production. I am currently doing a dissertation on drum machines and sampling within hip hop.

I hope to discuss many issues like the development of drum machines, how sampling has evoloved over the years [i.e. different producer's styles], the argument of sampling other people's work, the comparison of drum machine production to computer software production, and so on...

I was just wondering if any of you would like to give your thoughts on this project, be it your own opinions on any issues or just general discussion which may aid me in compiling a worthwhile piece on a subject that we are all interested in.

Also, if you could point me in the direction of any articles/websites, that you've read in the past which you think may be beneficial to my work, i would be very greatful.

Thanks in advance to anyone who responds to this post.

By Dox Wed Feb 13, 2008 11:08 am
There is this Paper by a University writer and he interviews a couple beatmaker/record collectors and topics range from finding samples, flipping samples, diggin, sampling ethics and the beatmakers themselves. Its a great read.

It was written before the cpu beatmaking era took off.

I would like to read what you write about "the comparison of drum machine production to computer software production"

I have the paper in pdf on my other cpu, I will upload it this week.

By alan623671 Wed Feb 13, 2008 12:22 pm
ok thanks, i look forward to reading it.

please private message me when you've uploaded it.

By Dox Sun Feb 17, 2008 2:40 am
I got the Paper online if anyone wants to read it. The Post is in the off topic section.

The guy who wrote this paper based it on 10 years of research supposedly.

By alan623671 Sun Feb 17, 2008 8:50 pm
thanks very much for everyone's help and advice so far, much appreciated
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By gasmask Sun Feb 24, 2008 6:06 am
maybe talk about how different machines (tr-808, 909, older samplers) had certain characteristics or limitations and how these traits influenced the sound of hip-hop during certain periods and in turn crafted a sound that became desirable.