Can't decide which MPC to choose? Read these resources or post your questions here.
By séance Wed Aug 11, 2010 4:33 pm
Assuming that you could only own one of these two mpcs for the rest of your life. Which would you pick and why?
User avatar
By dabmeister Wed Aug 11, 2010 4:43 pm
4k, because of its compatibility with newer technology.

It's the only hi rez mpc out there.

And it's still a beast 'til this day.
User avatar
By monogee Wed Aug 11, 2010 4:50 pm
^^I agree with Dab. I just sold my MPC60 and picked up a MPC4000. No comparison. The MPC4000 gives you the latest technology overall and it's a SICK MACHINE!!!
User avatar
By mr_debauch Wed Aug 11, 2010 5:28 pm
4000 because it can handle 512 of ram and when you are too lazy to save and start a new project file you can just add on to the end of the current song untill you run out of ram.
User avatar
By dabmeister Wed Aug 11, 2010 5:42 pm
mr_debauch wrote:4000 because it can handle 512 of ram and when you are too lazy to save and start a new project file you can just add on to the end of the current song untill you run out of ram.


Could you explain in detail what you mean by this? Don't get me wrong, I didn't want any potential buyers to be mislead by improper representation.

Plus, are you still working on your call-out tune?
By ntalec Wed Aug 11, 2010 5:58 pm
séance wrote:Assuming that you could only own one of these two mpcs for the rest of your life. Which would you pick and why?


That's not even a realistic comparison.
It's like asking if you were going to start a record label with one artist who would you rather have Jay Z or Terrence Howard as Dee from Hustle and Flow. ???
:lol:
By séance Wed Aug 11, 2010 6:50 pm
ntalec wrote:
séance wrote:Assuming that you could only own one of these two mpcs for the rest of your life. Which would you pick and why?


That's not even a realistic comparison.
It's like asking if you were going to start a record label with one artist who would you rather have Jay Z or Terrence Howard as Dee from Hustle and Flow. ???
:lol:


I'd have to disagree. It would just be like choosing between two dope MC's. One with ol school flavor and one with newschool technical delivery and precision.
User avatar
By Menco Wed Aug 11, 2010 7:16 pm
I would only cop a 60 for it's historical value.
For a workhorse I'd definitely go for the 4000.
Unless I want to go completely oldschool to sequence my s950 or if I had another powerhouse sampler like the s6000.
By ntalec Wed Aug 11, 2010 7:34 pm
séance wrote:
I'd have to disagree. It would just be like choosing between two dope MC's. One with ol school flavor and one with newschool technical delivery and precision.



The 60 is very much like the SP, it's nostalgic and still works within minimalistic applications.
However both always required a something else to do the heavy lifting.
Sometimes it's hard for people to understand now because they get the old gear because of who used it or trying to say they are old school, but believe me back in the late 80's that wasn't how we felt.
We had a lot less to work with and dealers were killing us even at that.
Do you realize that even when the SP1200 had been around for a couple of years they were still getting $1200+ for SP12's? :shock: Without the 5 1/4 floppy. :shock: :shock:

Those days taught you a lot about making do with what you could get your hands on, but also taught you how unimportant a single piece of gear really is in the grand scheme of things.
Both my 60's are long gone as are the 2- SP12 turbos and 3-SP1200's, MPC3000 and 2 keyboard ASR's.
At some point you realize just how impractical that stuff becomes.

Don't get me wrong the gear never stopped doing what it was supposed to do but it got to the point it was more for show than use.
Since we are now living in the MixTape era, churning out beats and tracking vocals is more important than your gear list.
By ntalec Wed Aug 11, 2010 7:35 pm
Menco wrote:I would only cop a 60 for it's historical value.


The true value of a MPC60 in 2010.
User avatar
By mr_debauch Wed Aug 11, 2010 7:52 pm
dabmeister wrote:
mr_debauch wrote:4000 because it can handle 512 of ram and when you are too lazy to save and start a new project file you can just add on to the end of the current song untill you run out of ram.


Could you explain in detail what you mean by this? Don't get me wrong, I didn't want any potential buyers to be mislead by improper representation.

Plus, are you still working on your call-out tune?


well what i mean is, you make a track.. then you are done with that and instead of starting an entire new project you can just start the new one at the end of the first track in the same project. later on after you filled your sample time you have a pile of available samples to play live with out the need to load anything else up.

basically... the 4k has a lot of ram, why not fill that shit up.

the call out track I did is what it is... what exactly was I supposed to do again?
User avatar
By Coz Wed Aug 11, 2010 8:00 pm
ntalec wrote:The 60 is very much like the SP, it's nostalgic and still works within minimalistic applications.
However both always required a something else to do the heavy lifting.
Sometimes it's hard for people to understand now because they get the old gear because of who used it or trying to say they are old school, but believe me back in the late 80's that wasn't how we felt.
We had a lot less to work with and dealers were killing us even at that.
Do you realize that even when the SP1200 had been around for a couple of years they were still getting $1200+ for SP12's? :shock: Without the 5 1/4 floppy. :shock: :shock:

Those days taught you a lot about making do with what you could get your hands on, but also taught you how unimportant a single piece of gear really is in the grand scheme of things.
Both my 60's are long gone as are the 2- SP12 turbos and 3-SP1200's, MPC3000 and 2 keyboard ASR's.
At some point you realize just how impractical that stuff becomes.

Don't get me wrong the gear never stopped doing what it was supposed to do but it got to the point it was more for show than use.
Since we are now living in the MixTape era, churning out beats and tracking vocals is more important than your gear list.



I think what you're saying is a good lesson to some of the kids on here who think they need old gear to make beats.

So what do you use now?
User avatar
By Pastor-of-Muppets Wed Aug 11, 2010 9:45 pm
séance wrote:I'd have to disagree. It would just be like choosing between two dope MC's. One with ol school flavor and one with newschool technical delivery and precision.


you mean like MC Hammer and Lil Wayne

amirite?!
User avatar
By dabmeister Wed Aug 11, 2010 11:44 pm
Pastor-of-Muppets wrote:
séance wrote:I'd have to disagree. It would just be like choosing between two dope MC's. One with ol school flavor and one with newschool technical delivery and precision.


you mean like MC Hammer and Lil Wayne

amirite?!


:lol: That's a good analogy!
Bymember_5949kfk50e0d3 Thu Aug 12, 2010 12:06 am
get both





or the 4k and s950