
By MPC-Tutor
Fri Jan 31, 2025 9:04 am
Don’t have 2 hours spare, anyone like to summarise his points?

MPC-Tutor wrote:Don’t have 2 hours spare, anyone like to summarise his points?

sinik wrote:MPC-Tutor wrote:Don’t have 2 hours spare, anyone like to summarise his points?
it's really hard to point out specific talking points, because there is a lot of stuff he is covering.
but basically he is saying that the mpc is behaving more like a DAW in a box instead of being a groovebox. he also criticize some bad workflow decisions (arm on and off/ fake channel strip, nested menus) and how shakey some of the product videos from andy mac are looking when he tries to nudge or select something in the grid view.
all valid talking points imo.
MPC-Tutor wrote:As he says, you can't blame Akai for seeing all the $$$ that can be made from the plugins and other add ons, as well as appealing to a much wider market of people who want 'standalone DAWs'. But it seems like we have lost that MPC that many of us fell in love with. I think back to my early days with the MPC2000XL and I definitely enjoyed the experience of creating far more than I do now, it was so simple and natural. But I also remember cursing the lack of x, y, and z features, the reality is, people always want more.

sinik wrote:i dont personally own an elektron maschine, but they maybe one of the big companys, which acutally deliver on that aspect i think.
sinik wrote:it's not really about making an instrument for "pros" or people who want to put serious work in producing music, its more about bedroom producers who want to be able to make music as quick and easy as possible without spending cash on equipment or deal with learning audio and stuff like that.
MPC-Tutor wrote:I have several Elektron machines, absolutely love using them, and not a touchscreen in sight. My wife however is not a fan of the 'clacky' buttons when I'm working on them at 2am
Masi wrote:As I'm not a pro I don't want to spend too much money on my hobby. What is so bad about that?
Do you claim that bedroom producers - I understant the term as an alias for amatuer - don't dedicate time end energy into their works? Or did you mean that Akai is now aiming on the quick-results users (pro or not)?
MPC-Tutor wrote:I have several Elektron machines, absolutely love using them, and not a touchscreen in sight. My wife however is not a fan of the 'clacky' buttons when I'm working on them at 2am
sinik wrote:Masi wrote:As I'm not a pro I don't want to spend too much money on my hobby. What is so bad about that?
Do you claim that bedroom producers - I understant the term as an alias for amatuer - don't dedicate time end energy into their works? Or did you mean that Akai is now aiming on the quick-results users (pro or not)?
absolutelty nothing bad about you being a bedroom producer for a hobby and having fun exploring!
what i meant was more that akai was a company for "pro users". they are now having a different audience, hence they are not focused on "pro" instruments anymore. so if you are a pro user (doesnt have to do with making money of music, could be just passion for the art), you are kind of be left in the dust with the current direction they are heading.

sinik wrote:it sure is good for akai as a business. but they are moving away from the core mpc workflow. some will like it, some will not like it. for me, it lost its appeal as a "classic groovebox sampler". its more like operating an ipad with some physical knobs and pads.
Monotremata wrote:LivePsy wrote:I'm still waiting for some bug fixes for the 5000, sit down and wait your turn guys
I think there are some 4K owners still waiting for some too.

jaymack wrote:Tl;Dr for all that?
glide wrote: lap dancer late on rent every session ...
It's always possible that they go hybrid with Programs, and allow for the old workflow in a future update, writing emails I believe was helpful for time signatures, I mean it mentions the user requests in the notes for the MPC3.