Mike Boogie wrote:All the sound design gurus are going to have a field day with this. I'm excited. I guess the complaints about the MPC not being a proper synth are out of here.
I’m more excited to maybe use the oscillators in drum kits to make their own sounds, and to experiment with envelope followers from “ghost kicks” based on drum pads or layers. Using a ghost oscillator envelope on a drum pattern laid out in step sequencer could do a lot of work, same for taking advantage of all the cool existing MPC ways to ratchet and retrigger and do all sorts of fun stuff with the physical pads.
For example maybe you have a plug-in running synth pads or a bass drone on some track and you want to make it more interesting. Set up a layer or a drum pad on a drum track, have the sound of that not be sent to the mains, but use envelope followers from from whatever ruthm you did with that drum pad now do modulations on a different synth track. Sort of like the old school trance gates you’d trigger from a ghost pad on a drum machine, but used here to modulate synth sounds in many new ways.
Or maybe you have a bass drone going from whatever plug-in you like, now set up a ghost pad for envelope follower using one of the new waveforms on a drum pad and have it change various knobs and parameters on your bass synth. While bass drone is going, head to your drum track and use that pad on 16 levels ratchet to have your bass drone do crazy shit you could never do by hand or even by drawing in automation (unless you head to your computer and get busy with a mouse)
Another way to look at this: dubstep was revolutionary at the time and had a new cool sound with wobbling wubbing bass. Years on the charts and all they were doing was changing between 1/4 1/8 1/8t etc. It blew people away. Now you can do a zillion tbings with your bass line on a device you can buy under $500 used, and all it takes is the mpc workflow that’s been perfected for decades to make it easy and fun to get good drum patterns.