Forum to discuss all matters relating to the MPC1000 and MPC2500 operating systems created by 'JJ' (all versions).
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By Lampdog Sat Jul 25, 2009 9:53 pm
I never said that. lmao.

...and it might be more precise to say that limitations force YOU to be more innovative
in your approach to producing music on those "limited" machines.
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By alcoloic Sat Jul 25, 2009 9:59 pm
Lampdog wrote:that's just what i meant ! thanks alcoloic !
limitations force YOU to be more innovative in your approach to producing music on those "limited" machines.
By nyke Sat Jul 25, 2009 11:29 pm
alcoloic wrote:
Lampdog wrote:You also might notice that limitation is wath make the strength of the mpc.



^ I was just going to say that.
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By Ruslanio Sun Jul 26, 2009 1:26 am
Lampdog wrote:I never said that. lmao.

...and it might be more precise to say that limitations force YOU to be more innovative
in your approach to producing music on those "limited" machines.


Actually, I agree with this statement, Lampdog. If I can't timestretch the sample for looping it, I might as well be more innovative and chop it up, and screw around with that.
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By Lampdog Sun Jul 26, 2009 2:17 am
alcoloic wrote:
Lampdog wrote:that's just what i meant ! thanks alcoloic !
limitations force YOU to be more innovative in your approach to producing music on those "limited" machines.

HAHAHAHAHAA, lmao.
Ruslanio wrote:
Lampdog wrote:I never said that. lmao.

...and it might be more precise to say that limitations force YOU to be more innovative
in your approach to producing music on those "limited" machines.


Actually, I agree with this statement, Lampdog. If I can't timestretch the sample for looping it, I might as well be more innovative and chop it up, and screw around with that.

You can timestretch just remember that it's an mpc not a computer with higher grade timestretching capabilities.
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By le rat Sun Jul 26, 2009 4:31 am
If you still want to stay as far as you can from a computer look at the roland MP9000 and vari OS racks.
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By Ruslanio Tue Jul 28, 2009 6:50 pm
Dr.Si wrote:
Ruslanio wrote:Can I timestretch on JJOS, just like in FL Studio (into 1 bar, 2 bar, etc.)?

en primer lugar cargamos una muestra con mode+pad2
y le damos a do it, para cargar esa muestra.
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en trim tendriamos la muestra ya cargada dispuesta para edicion
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seleccionamos start point y end point para delimitar un bucle
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ahora pulsamos f6
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y aceptamos y nos quedaria la muestra con lo demás discartado
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volvemos a pulsar f6 para hacer timestrech
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pulsamos tempo
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lo ajusto asi, y presiono f5(manual), y como vemos en la ilustracion de abajo, vemos en original tempo=bpms de la muestra, y en New=a las bpms que quieras poner la muestra. en este caso pusamos do it. asi como esta a 120 bpm.
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ahora aqui selecciono keep para cogerlo como otra muestra nueva
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aqui tenemos el resultado
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ahora bien , como dice Dr.No, quiero volver a ver los bpms de ete sample. pulsaria de nuevo f6 (edit) para hacer timestrect y ver sus bpms
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pulsamos tempo
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(f5)manual
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y podemos ver que se han modificado los bpms
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por supuesto pulsamos Keep para obtener el resultado de lanueva muestra
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este es el resultado
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la compacion del resultado de las 2 muestras

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no veas como se l queda a uno el cuerpo cuando observa que ocurre esto.
mucha inestabilidad y en consecuencia muchisima decepcion. las miras van hacia JJ.
[/quote]

What version of JJOS is that?
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By itslikezacanduh Tue Jul 28, 2009 7:20 pm
Ruslanio wrote:Damm, I'm really trying to eliminate the computer from my production. I just can't believe a 2 thousand dollar machine can't timestretch by bars/beats.


damn rusliano, it's 2009 man! you're using a computer to post on mpc-forums! if it can make your tracks sound better, and you already own it... use that shit!
By kvmoore Tue Jul 28, 2009 11:42 pm
Lampdog wrote:Yup, there is always a use for any mpc effects, BUT, the effects are nowhere near the big boy effects
found in pro audio daws, yet and still, useful to a point inside the box.


Uh, huh. I agree. And I will also add that the effects found in pro audio daws are nowhere near as good as the *real* big boy effects found in the hardware effects units you see in major studios costing thousands of dollars.