By Jamon
Sun Sep 06, 2009 10:09 pm
Someone in another thread dismissed the MPC500 as a toy.
There's a lot I dislike about it, but it is capable of full productions.
We can prove it with a MPC comparison session.
If anyone wants to do that, and upload their result, I bet people won't be able to tell what model was used. The 500 won't stand out as sounding like a joke, and may even blow the others away depending on who used it.
If you compare the 500 to 2500, there really isn't that big of a fundamental difference. There's less ins/outs, stiffer pads, less FX, etc. But when you get down to it, the same sequencer is under the hood, with the same audio inputs for recording.
Bigger screen with graphics really isn't that big of a deal. We hear music, not see it.
You can point out the flaws of the MPC500, but understand it should not be dismissed.
There's a lot I dislike about it, but it is capable of full productions.
We can prove it with a MPC comparison session.
- Start from scratch, all samples recorded fresh into the MPC, no downloaded files
- No PC, no external sequencer or recorder, only the MPC and basic sound sources
- Limited time, log how long you worked on it, no more than 24 hours total
- All mixing done in the MPC, no finishing touches on PC
If anyone wants to do that, and upload their result, I bet people won't be able to tell what model was used. The 500 won't stand out as sounding like a joke, and may even blow the others away depending on who used it.
If you compare the 500 to 2500, there really isn't that big of a fundamental difference. There's less ins/outs, stiffer pads, less FX, etc. But when you get down to it, the same sequencer is under the hood, with the same audio inputs for recording.
Bigger screen with graphics really isn't that big of a deal. We hear music, not see it.
You can point out the flaws of the MPC500, but understand it should not be dismissed.






