Exchange tips and tricks for the Akai MPC4000
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By Blue Haze Wed Aug 11, 2004 1:39 pm
I crossed all over the web getting advice about groove machines and tools for hip hop. I received some great tips and some BS from mofos wanting to be in clicks on the web with which machine does what and what is the best. So far self study listening to past CDs, watching djs, and watching videos of my favorite producers at work has been the most helpful for me to steer clear of the BS. Of course this site has provided many tips and advice, but the noize about which tools are the best is getting silly. Teach one how to make the music with the tools I don`t care about what machine or what silly crap you are going to get. Good music can be made with a blade of grass between one fingers as a tool. Each one teach one about measures, notes, tones, keys, basic operations, sequencing, sampling, midi, systhesis, and on and on. Teach one`s inspiration, role model on how their fav musician plays thier instrument, use their equip, and so on .
Create and elevate others. It has never been about having a machine, tools, program or whatever straight BULLSHIT talk unless you want the shit sitting on the table to show off to friends, but teach how to use that tools to make music that bumps in your car, headphones, radio, and stereo. Ultimately noone give a **** what you used to make the music, just how good it sounds. But we have to learn how to use what we got and not worry about some new, other, and keeping up with the JONES Bullshit on acquiring gear. Mofos are making hits with shit thats 10-20 years old, MUFkin studios are using 5-30 year old mixers because they trust that sound it seems that alot of people on the web not only here but almost every site it crazied over the lastest release or a tech head. Do you be a musician that can bend the tools to make the shit you want. It can`t do it for you no matter how advance it gets. The more music one understands with the tools in hand the simplier the process becomes. An engineer that designs the machine can`t teach you how to make great music. :idea:

By adrian Wed Aug 11, 2004 3:30 pm
reading your post reminded me of CD I have. Sounds from the Verve HI Fi compiled by Thievery Corporation, inside on the cover of the CD there is a quote from Rob Garza

"Technology simply allows more people to create bad music"

Damn, that quote couldn't be more true.
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By kaotikmuzikproductions Wed Aug 11, 2004 6:53 pm
True :!: I stopped giving advice to people as far as equipment goes,because later on they do the exact opposite of what you suggested because"my people use a triton and I'm going to get one". I'm to the point where what you use doesnt matter just bang out with what you have. Who gives a fluck if Just Blaze uses it or not :!: As long as it's professional,and expandable who cares. I down sized from 7 pieces of gear to two sound modules,a Roland Pc-300,and my 4000 which are all patched into my Pro Tools interface.
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By badacid678 Wed Aug 11, 2004 8:40 pm
Yhea, that's true. If you know you're equiptment 100%, its better to do that then to have the best piece and know only 20% of it.

The best is when people say that all the pros use the mpc3000, and get a mpc3000, not knowing that its what you put into the mpc that makes you good, not what the mpc is. The mpc just gives you the tools, which are the state of the art.

I;m happy when I can play a track of mine in my car and impress some girl, they love that shit really. I only had one girl get all critical about one of my abstract tracks because she said that it didn't sound like one of p diddy's. IT wasn't even hip hop, it was more experimental stuff. I felt like kicking her out of my car, but she looked kinda good. .
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By MattMatiks PG Wed Aug 11, 2004 8:55 pm
I can't be messin wit girls that can't feel some abstract hip-hop... I played some of my out there sh*t for this girl and she was like "I can't dance to that type of sh*t" (Like your supposed to be able to dance to it or it's not hip-hop)... Haven't talked to her in months now...

I hate people like that...

By boywithpez007 Thu Aug 12, 2004 12:20 am
hahahaha nice 1 matiks....

[quote][/quote]

I did the same thing and I've been making better beats than ever...I used to have too many flashing lights and options just begging at me I never got around to learning each piece in its own right....

Im in the process of slimming things down.. I've got my recording setup @ my studio and then i've got my bedroom beats setup which im working on:
4k, PMC-06, Emu XL-7 + Records.....
I got no controller so im hoping to replace the xl7 w/ motif

any u guys are onto it.....
Pez.

By boywithpez007 Thu Aug 12, 2004 12:20 am
I CANT QUOTE!!!!!!

hehehe
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By Mohammed Fri Aug 13, 2004 1:23 am
badacid678 wrote:Yhea, that's true. If you know you're equiptment 100%, its better to do that then to have the best piece and know only 20% of it.

The best is when people say that all the pros use the mpc3000, and get a mpc3000, not knowing that its what you put into the mpc that makes you good, not what the mpc is. The mpc just gives you the tools, which are the state of the art.

I;m happy when I can play a track of mine in my car and impress some girl, they love that **** really. I only had one girl get all critical about one of my abstract tracks because she said that it didn't sound like one of p diddy's. IT wasn't even hip hop, it was more experimental stuff. I felt like kicking her out of my car, but she looked kinda good. .


fvck her,, then kick her :lol: