For discussion about setting up your studio and advice on the gear and equipment within it.
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By ion Mon Feb 01, 2010 6:50 pm
oh btw the Compex is beig remade these days and called RADIOMAN sells from germany on ebay... one just went

i dunno how tehy compare but you get them for around 400,- eur

and teh Compex is a HEAR piece!
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By RepRSP Mon Feb 01, 2010 7:03 pm
haha, good deal man! Did you use it yet? Kool idea that you have, I won´t mind hearing some sounds after you tried the thing out :arrow: good luck
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By peterpiper Mon Feb 01, 2010 7:20 pm
yes, a spring reverb is nice. I once had an organ (philichorda) with a spring reverb and it also had an audio in to use it for external input. Really nice. And it was cheap. I payed 20 DM back then (about 10 Euro)


peace
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By happyhour Mon Feb 01, 2010 9:09 pm
ion wrote:i found this interview also very interesting
http://emusician.com/remixmag/artists_i ... ndex1.html

haha and i love how he disses Timba and JayZ



I love reading stuff like that. What's great is you listen to Third and you think it was completely done on tape. Geoff Barrow is a character. On his blogs on Portishead's myspace while they were making the record he was always taking digs at everyone. His beef with Ronson was funny shit.
By takkin Mon Apr 19, 2010 6:08 am
Just gotta say, props to PETERPIPER for that comparison!

I've got a giant tascam 246 tape 4 track hats pretty cool, but don't really use it as its in a terrible state, and i get stressed out every time i try and do anything with it. I'm also thinking of gettin an akai 4000d off the bay for some analog saturation.

Anyone with a reel to reel willing to do an A/B comparison like peterpipers? I always read Premier and Pete Rock talking about the sound of 1/4 tape, but i'd love to actually hear the difference it makes to some drums with different gain levels.
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By fasttrackpimp Mon Apr 19, 2010 8:36 pm
master-ceo wrote:should of got a JVC dually :roll:


+1 Loved my old jvc dually boombox. Made tons of pause tapes on that. Still had it up until about 2yrs ago when the motor quit working. :( My dad has it now, but it's still not working. It get's power, but the tapes won't move.
By K-Mello Tue Apr 20, 2010 4:23 pm
thx wrote:years ago a sucker stole all the tapes from my car while i was at a concert
he stole almost ALL my cassettes but still have some others
i got a technics cassette deck but sometimes it "munchs" the tapes so i dont' listen that stuff frequently. last year i made some recordings with the sp1200 and the microkorg but i'm afraid to ruin the tapes so... i have to find another deck
i love tapes


"The smooth criminal on beat breaks/Never put me in your box if your sh*t eats tapes..."
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By wudsiba Sun Apr 25, 2010 2:24 pm
takkin wrote:Just gotta say, props to PETERPIPER for that comparison!


Amen right there. I've always read about how back in the day the people would get "good" distortion by driving stuff into the red. I never really thought about using it as an effect though unless you were recording directly to it as a master. I did always love tapes. Shitt was way more reliable than CD's. I had a few tapes that just lasted forever, and I played those bad boys. Left them all in cars I got rid of. Anyways...