Blue Haze, over the years, you went so hard at nearly every MPC created after the MPC 4000. Now, when I saw you create this thread, I just fell back and just observed the type of information you would post.
I am sorry to say I am so disappointed...and not that it matters. This thread says "Maschine vs MPC 4000." But you have provided very little insight. As an expert member of this forum, I assumed you would be forthcoming and tell us the truth and nothing but the truth like you have done in the past.
Personally, I went all in on what I liked and disliked about the MPC 1000, 2500, 4000, and 5000 over the years. I have never hyped a product just because I purchased it (like Fantom G sucks as a sampler). So give us the real deal. Function per function. Maschine vs MPC 4000 (or any MPC). No sales pitch. One has to go and one stays. Which one and why?
Suggested items to address:
1. Terminology
2. Polyphony
3. # of programs per song; multi-timbral capabilities
4. keygroup programs
5. timestretch/pitchshifting (online, offline..with or without changing tempo)
6. Filter, Amp, LFO envelopes (number and types of parameters)
7. Modulation
8. Layering sounds
9. Sampling and resampling
10. # of tracks per song
11. Sample editing; speed of processing; slicing
12. MPC program import
13. Quantize/Swing
Respectfully,
Askia Shaheed (or what ever name you want to call me)
